Edmund de Waal will investigate the qualities of the colour white in a timed entry exhibition at the Royal Academy's Library and Print Room
If Grayson Perry really is the people’s potter, then Edmund de Waal is surely the thinking person’s ceramicist.
© Collection of Edmund De Waal. Photographer: Michael Harvey
He may not have the profile or disarming down home charm of Perry but de Waal's donnish take on the history and mystery of porcelain has seen his celadon glazed installations beguile audiences in countless exhibitions, from Turner Contemporary and the V&A to Kettle’s Yard and the Chinese Gallery of the Fitzwilliam in his old university town, Cambridge.
His books on pottery and his family memoirs (de Waal is the son of a Dean of Canterbury Cathedral) have similarly secured his reputation as, if not England’s most famous potter, then seemingly the country’s most learned.
Now de Waal's thoughtful explorations of the qualities of porcelain continue with an autumnal sojourn exploring the colour white in the serene surrounds of the Library and Print Room of the Royal Academy.
De Waal is, of course, a self-confessed porcelain obsessive and, according to the RA, the colour white has fascinated him "since he made his first white pot as a child".
© Collection of Edmund De Waal Photographer: Ian Skelton
He will, however, be widening his palette for an unusual timed entry exhibition to include sculpture, paintings, photographs and books selected from the RA and private collections – including his own.
Describing the exhibition as "an exploration of white as both object and experience”, the venue says star objects will include JMW Turner’s porcelain palette, a white-washed sculpture by Cy Twombly, John Cage’s 4’33’’ manuscript, Kazimir Malevich’s Suprematist Teapot, the death mask of Francis Chantrey RA, the life mask of Thomas Banks RA and the ivory netsuke of a hare with amber eyes.
The latter comes from de Waal's personal collection and fans will immediately recognise it as the touchstone of his bestselling family memoir, The Hare with the Amber Eyes, which won the RSL Ondaatje prize and the Costa Biography Award.
Another de Waal treasure, one of the first pieces of white porcelain made in the West, a delicate Meissen cup of 1715, will also be displayed alongside his now trademark porcelain installations.
The show coincides with the publication de Waal's latest book, The White Road: a pilgrimage of Sorts, which will be published by Chatto and Windus on September 24 2015.
© Collection of Edmund De Waal, Photographer: Mike Bruce
Described as an “intimate journey”, the book takes the reader across continents in search of porcelain, beginning in its birthplace, Jingdezhen, China, and continuing to Venice, Versailles, Dublin, Dresden, the Appalachian Mountains of South Carolina and the English south-west.
No journey to the dark heart of Essex, then, for the boy from the Cathedral cloisters. A fittingly "quiet journey of discovery through the spaces” is promised of the coinciding RA show.
- Until January 6 2016. Open Thursday-Sunday 10am–6pm (10pm Friday). Open to readers by appointment only Monday-Wednesday. Tickets £5 (free for under-16s). Booking essential. Book at the Royal Academy online.
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