From Egyptian coffins to Impressionist masterpieces – the Fitzwilliam Museum’s world-class collections of art and antiquities span centuries and civilizations.
Closed Mon (except Bank Holidays when open 12.00-17.00) Closed Good Friday; 24,25,26 & 31 Dec and 1 Jan.
The Fitzwilliam Museum has magnificent permanent collections of international importance. The entire collection is a Designated Collection of national importance.
Holdings include antiquities from Ancient Egypt, Greece and Rome; English and European pottery and glass; furniture, clocks, fans and armour, coins, medals, illuminated, literary and music manuscripts and rare printed books; paintings, including masterpieces by Simone Martini, Domenico Veneziano, Veronese, Titian, Rubens, Hals, Van Dyck, Canaletto, Hogarth, Gainsborough, Constable, Degas, Renoir, Cézanne, Monet and Picasso, portrait miniatures and 20th century art, and changing displays of drawings, watercolours and prints. The collections also include artefacts from Sudan and Cyprus, and Chinese, Japanese and Korean art, rugs and samplers.
Founded in 1816, the Museum is housed in splendid buildings, the first of which, designed by George Basevi opened in 1848.
Items from this collection
Weapons and War, Music, Fine Art, Decorative and Applied Art, Costume and Textiles, Coins and Medals, Archaeology
Key artists and exhibits
- Ancient Egypt, Sudan
- Greece and Rome
- Roman and Romano-Egyptian Art
- Western Asiatic displays and Cypriot Art
- English and European pottery and glass, furniture, clocks, fans, armour
- Chinese, Japanese and Korean art
- Simone Martini, Domenico Veneziano, Titian, Veronese, Rubens, Van Dyck, Hals, Canaletto, Hogarth, Gainsborough, Constable, Monet, Degas, Renoir, Cézanne and Picasso
- Designated Collection
Modern Heroism: Printmaking and the legacy of Napoleon Bonaparte
- 3 February — 28 June 2015 *on now
An exhibition to mark the 200th anniversary of Napoleon’s defeat at the Battle of Waterloo. Napoleon spread liberal reform across Europe and to his supporters his legacy was that of a modern hero. Post-Napoleonic France was characterised by constant unrest and political upheaval which coincided with a revolution in printmaking as the new technique of lithography flourished. Quick and cheap to issue in large numbers, lithography became the medium through which a new generation of artists was able to disseminate its art and political views to the masses.
Highlights of the exhibition include prints by Charlet and Raffet, who contributed to Napoleon’s heroic legacy through glorifying war and military personnel; works by Delacroix and Gericault that respond to the drama and tragedy of the period; and satirical prints by Daumier.