From Egyptian coffins to Impressionist masterpieces – the Fitzwilliam Museum’s world-class collections of art and antiquities span centuries and civilizations.
Closed Mon (except Bank Holidays when open 12.00-17.00) Closed Good Friday; 24,25,26 & 31 Dec and 1 Jan.
The Fitzwilliam Museum has magnificent permanent collections of international importance. The entire collection is a Designated Collection of national importance.
Holdings include antiquities from Ancient Egypt, Greece and Rome; English and European pottery and glass; furniture, clocks, fans and armour, coins, medals, illuminated, literary and music manuscripts and rare printed books; paintings, including masterpieces by Simone Martini, Domenico Veneziano, Veronese, Titian, Rubens, Hals, Van Dyck, Canaletto, Hogarth, Gainsborough, Constable, Degas, Renoir, Cézanne, Monet and Picasso, portrait miniatures and 20th century art, and changing displays of drawings, watercolours and prints. The collections also include artefacts from Sudan and Cyprus, and Chinese, Japanese and Korean art, rugs and samplers.
Founded in 1816, the Museum is housed in splendid buildings, the first of which, designed by George Basevi opened in 1848.
Items from this collection
Weapons and War, Music, Fine Art, Decorative and Applied Art, Costume and Textiles, Coins and Medals, Archaeology
Key artists and exhibits
- Ancient Egypt, Sudan
- Greece and Rome
- Roman and Romano-Egyptian Art
- Western Asiatic displays and Cypriot Art
- English and European pottery and glass, furniture, clocks, fans, armour
- Chinese, Japanese and Korean art
- Simone Martini, Domenico Veneziano, Titian, Veronese, Rubens, Van Dyck, Hals, Canaletto, Hogarth, Gainsborough, Constable, Monet, Degas, Renoir, Cézanne and Picasso
- Designated Collection
A world of private mystery: John Craxton, RA (1922 -2009)
- 2 December 2013 — 21 April 2014 *on now
The major exhibition this winter at the Fitzwilliam Museum celebrates the life and career of 20th century British artist John Craxton. A world of private mystery traces his development as an artist, both through his travels, later life in Crete and the influence of other major artists during his lifetime.
'The willow trees are nice and amazing, but I would prefer an olive tree growing out of a Greek ruin,' John Craxton in Cambridge 1943
- Any age