Gainsborough's House is a museum and gallery at the childhood home of Thomas Gainsborough (1727-1788), one of the greatest artists in the history of British art. It has the largest collection of Gainsborough's work on display in a single setting.
The house itself dates from around 1500 and retains many interesting architectural features. Its Georgian facade, and other elegant additions, date from the eighteenth century. The centrepiece of the beautiful walled garden is a large mulberry tree which dates back to Gainsborough's childhood.
Historic house or home, Gallery, Garden, parklands or rural site, Museum, Heritage site, Library, Artist studio or collective
Monday to Saturday 10am-5pm
Closed: Good Friday and between Christmas and New Year.
Children and Students: £2.00
Under 5s: Free
Groups of 10 or more: £5 per person
Friends and Art Fund members: Free
*This includes additional income from Gift Aid, which makes a big difference to us, but if you would prefer not to make this contribution the admission prices are:
- National Art Pass
The Gainsborough’s House permanent collection encompasses the artist’s whole career, from early portraits and landscapes painted in Suffolk during the 1750s, to later works from his Bath and London periods of the 1760s, 70s and 80s.
The collection of works on paper includes drawings by Gainsborough and his contemporaries, as well as prints by or after Gainsborough and other eighteenth-century artists. There is a selection of rare books and manuscripts from the period, including a number of Gainsborough’s letters.
We also have artefacts and items that formerly belonged to Gainsborough, including his studio cabinet, swordstick, paint scraper and pocket-watch.
The permanent collection is augmented by several loans of paintings and drawings from public and private collections.
For more information, and to search the Gainsborough's House Collection Online, visit http://www.gainsborough.org/collection/
Archives, Decorative and Applied Art, Fine Art, Personalities, Design, Costume and Textiles, Architecture, Social History, Religion, Literature
Face to Face: Portraits from the Andrew Lambirth collection
- 11 June — 16 October 2016 *on now
The art critic and author Andrew Lambirth bought his first painting as a student at Nottingham University in the late 1970s. Since then he has built up a collection of paintings, drawings and prints which focuses on the artists he has known and written about. Modern British art is his chief enthusiasm. As he says: ‘I still find it hard to believe that I have on my walls pictures by some of the artists I first read about as a star-struck teenager poring over John Rothenstein’s Modern English Painters.’
Lambirth’s collection is testament to what can be achieved with a modest budget and assiduous searching. Undoubtedly his connections in the art world have helped. He began his career with a brief spell as a porter at Sotheby’s, and his acquaintance with a wide range of commercial art galleries must now equal his knowledge of public galleries and museums. He collects by artist but also by theme: one of his chosen themes is trees, another is self-portraits.
This exhibition concentrates on portraits and self-portraits drawn from his collection, in a variety of media, from etchings and lithographic prints, to collage, oil painting and pencil drawing. The range is wide: from the gentle surrealism of Eileen Agar to the witty Pop art of Allen Jones, via Maggi Hambling’s ink portrait of her father and Laetitia Yhap’s pregnant nude self-portrait. Artists include Augustus John, David Jones, RB Kitaj, Leon Kossoff, John Nash and Walter Sickert, along with a host of lesserknown but intriguing figures. There are both formal pictures made for exhibition, and others which are quick studies. Here is something for all tastes: fine drawing, humour, sonorous colour, the human condition in all its variety. The only unifying factor is that the collection is one man’s taste.
- Any age
Exhibition included as part of standard entry to Gainsborough's House of £5.90. Children and Students £2.00 (under 5s free). Art Fund members free.
Michael Carlo: Screenprinting, a Painterly Approach
- 29 August — 2 September 2016
These courses help printmakers develop skills in specialist areas, working with expert tutors. Although of particular interest to those with some printmaking experience, newcomers are welcome.
A course with Michael Carlo - Screenprinting, a Painterly Approach
- Not suitable for children
Please contact the museum for fees
46 Gainsborough Street