Freud Museum London

Freud's couch
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Listed house in Hampstead where Sigmund Freud and his family lived after fleeing the Nazis in 1938. The Museum was founded in 1986. It has featured in numerous films and TV broadcasts and hosts regular exhibitions and events. It is available for hire for filming and evening functions.

Venue Type:


Opening hours

Wed 12.00-20.30
Thurs-Sun 12.00-17.00

Admission charges

Adults: £8.00
Senior Citizens: £6
Concs: £4.00 (with valid student ID card, children aged 12-16, unemployed persons, disabled persons)
Under 12s: Free


  • Museums Association

Additional info

Our library, study and research facilities are open by appointment only.

Sigmund Freud's large collection of Egyptian, Greek, Roman and Oriental antiquities and his library. His study with the psychoanalytic couch preserve his working environment. A reference library, archive and picture library document the history of psychoanalysis.

Collection details

Archaeology, Archives, Costume and Textiles, Decorative and Applied Art, Fine Art, Personalities, Social History

Key artists and exhibits

  • Freud's couch; Dali portrait of Freud; Brouillet print of Charcot; Abu Simbel print; photographs of Yvette Guilbert, Princess Marie Bonaparte, Lou Andreas-Salome, Charcot, Freud family.
Exhibition details are listed below, you may need to scroll down to see them all.
Drawing by Martin Wilner

The Case Histories

  • 23 November 2016 — 19 February 2017 *on now

Martin Wilner is an artist, psychiatrist and scholar in psychoanalysis based in New York. The Freud Museum presents Wilner’s first solo museum exhibition, drawing on his decades of artistic work pertinent to the practice and thinking around psychoanalysis.

The Case Histories are the latest iteration of Wilner’s ongoing Making History project begun in 2002. Wilner, in the first decade of this process, rendered daily drawings based upon events in the world of interest to him. Over the course of each month elements of representation, portraiture, caricature, cartography, typography, micrography, and musical composition coalesce into the resulting work.



Events details are listed below. You may need to scroll down or click on headers to see them all. For events that don't have a specific date see the 'Resources' tab above.

Introducing Freud at the Freud Museum

  • 22 September — 8 December 2016 *on now

Tutor: Keith Barrett BA PhD

As Freud is so frequently referred to it is natural to assume that we already know everything about him, but the superficial manner in which his ideas are normally discussed – often intended to justify dismissing psychoanalysis out of hand – conceals the fact that his thinking is little understood, despite the controversy that has raged around his ideas since they first became internationally known. This course will offer the opportunity to engage directly with Freud’s writings, clarifying the meaning of his most important concepts and theories, as well as his views on the practice of psychoanalysis. We will place Freud accurately in his historical context – as well as bringing into focus the relevance of his work to debates that are taking place now. The course will be accessible to beginners but will also stimulate those who already have some knowledge of Freud and psychoanalysis. Each session will be based around selected passages from Freud’s writings (all the readings are taken from ‘The Freud Reader’ edited by Peter Gay).

Week 1: Introduction: The nature and status of psychoanalysis: perspectives and debates. (p3 – 17 & p783 – 796)

Week 2: Hysteria (1): What is (or was) ‘hysteria’? A ‘female malady’? The case of ‘Anna O’: dissociation, hypnosis and the ‘cathartic method’. Freud’s early practice as a psychotherapist. (p60 – 78)

Week 3: Hysteria (2): Symptoms and ‘defence’: from hypnosis to ‘free association’. From the ‘Lucy R’ case to the ‘seduction theory’. The reasons for Freud’s abandonment of the ‘seduction theory’ (p78 – 86 & p96 – 113)

Week 4: Dreams (1): The meaning of dreams and how Freud learned to interpret them. The dream of ‘Irma’s Injection’. Freud’s theory of dreams. (p129 – 172)

Week 5: Dreams (2): Freud’s use of his own dreams in his ‘self-analysis’. His reconstruction of his own early childhood. The limitations of self- analysis. The role of dreams in psychodynamic psychotherapy. (p111-126)

Week 6: Sexuality (1): The meaning of ‘Infantile sexuality’. Freud’s ‘stages’ of psychosexual development. The Oedipus complex. Freud on the sexual abuse of children. (p 239 – 293)

Week 7: Sexuality (2): Sexuality in adulthood. Perversion, heterosexuality and homosexuality. Freud’s view of ‘love’. His later theory of the neuroses. The nature and functions of human sexuality. (p387 – 400 & p443 – 481)

Week 8: The Principles of Psychoanalytic Psychotherapy: The ‘Dora’ case and the importance of ‘transference’. Freud’s ‘Papers on Technique’. (p172 – 239 & p356 – 387)

Week 9: Narcissism and the Death instinct. (p545 – 562 & p601 – 617)

Week 10: Mourning and the structure of the psyche. (p584 – 589 & 626 – 645)

Week 11: Freud’s later views on the difference between the sexes. (p670 – 678)

Week 12: Society and human happiness. (p 722 – 772)


Phillips, A. ‘Becoming Freud: the making of a psychoanalyst’ (Yale U.P. 2014)

Thurschwell, P. ‘Sigmund Freud ( 2nd edition)’ (Routledge 2009)

Frosh, S. ‘A brief introduction to psychoanalytic theory' (Palgrave Macmillan 2012)

Zaretsky, E. ‘Secrets of the soul: a social and cultural history of psychoanalysis’ (Knopf 2004)

Breger, L. ‘Freud: Darkness in the midst of vision’ (Wiley 2000)

Micale, M. ‘Hysterical men: the hidden history of male nervous illness’ (Harvard U. P. 2008)

Rabate, J-M. ‘Literature and Psychoanalysis’ (Cambridge U.P. 2014)

Appignanesi, L. ‘Freud’s Women’ (Penguin 1997) & Forrester

J Grosz, S. ‘The Examined Life: How We Lose and Find Ourselves’. (Vintage 2014)

Minsky, R. ‘Psychoanalysis and gender: an introductory reader’ (Routledge, 1996)

Bergman, M.,‘The anatomy of loving: The story of man’s quest to know what love is’ (Columbia U. P. 1987)

Malan, D. ‘Individual psychotherapy and the science of psychodynamics’ (Butterworths 1995)


Full price £180

Friend of the Freud Museum £155 - join today and receive 15 months membership for the price of 12 when you pay by annual Direct Debit.

Student/concession £120

Sigmund Freud's study

Radio On

  • 4 December 2016 3-4pm *on now

Artist Sława Harasymowicz will present an audio recording of specially commissioned performance as part of her year-long project – a wide-ranging research into the complex relationships between post-memory, political representation and autobiography. The event will revolve around personal and collective consequences of what remains one of the biggest yet obscured WWII maritime disasters, during which the British RAF torpedoed three German ships, anchored in Lübeck Bay. Unknown to the pilots, the ships were populated by thousands of primarily Polish and Russian prisoners evacuated from Neuengamme concentration camp.

In June 2016, Harasymowicz created a non-public live performance in Freud’s former study at 20 Maresfield Gardens. The out-of-hours event took the form of a radio broadcast, dramatising and re-imagining real activity that took place in a German concentration camp towards the end of the WWII. During the nights, a group of prisoners would engage in clandestine and prohibited collaboration to create fictitious ‘radio programmes’ using the structure of real broadcasts – including news bulletins, weather forecasts, sport commentary and reportage – as a way of blocking out the surrounding reality of war, incarceration, displacement and the terror of the unknown. Referencing the Museum as a psychoanalytical-historical space, Harasymowicz’s performance produced an aural collage of performed testimonials, fiction, poetry, scientific research, experimental writing and sound distortions.

Presenting the radio broadcast for the first time publicly in the Freud Museum, and using visual materials, the artist will give a performative talk followed by an in conversation with Dr Caterina Albano which fill focus on Harasymowicz’s art practice and methodology, working through the awkward points of intersection between collective history and trauma, and personal identity.


Free with admission.



Psychoanalysis after Freud

  • 19 January — 6 April 2017

Tutor: Keith Barrett BA PhD

Psychoanalysis was initiated by Freud, then transformed by a series of powerful creative figures who both extended and deepened its range, opening new intellectual horizons as they applied its methods to new problems and new fields. We will focus on four leading innovators, carefully examining their criticisms of Freud and the manner in which they modified his theories and therapeutic practice. In this way, the course will give an overview of the development of psychoanalysis across its first century and into the beginning of its second. While intended to be accessible to beginners, it will also stimulate those who already have some knowledge of the field.

(The course is self-contained – as is ‘Introducing Freud at the Freud Museum’ which precedes it in the autumn term. The two courses can be taken in either order, or as ‘stand alone’ modules, but complete beginners wanting a thorough introduction to psychoanalysis should take ‘Introducing Freud’ first, then follow on with the present course.)


Full price - £190

Friend of the Freud Museum £160 - join before 15 December 2016 and receive 15 months membership for the price of 12 when you pay by annual Direct Debit.

Student/concession - £125


Freud Museum London
20 Maresfield Gardens
Greater London




020 7435 2002


020 7431 5452

All information is drawn from or provided by the venues themselves and every effort is made to ensure it is correct. Please remember to double check opening hours with the venue concerned before making a special visit.