Royal Academy of Arts
Royal Academy of Arts
020 7300 8000
The Royal Academy of Arts was founded by George III in 1768. Governed by artists to 'promote the arts of design' and was the first institution in Great Britain devoted solely to the promotion of the visual arts. The Royal Academy raised the standing of art, artists and architecture. It has held an annual selling exhibition since its formation and held its first loan exhibition in 1870 of 'Ancient Masters'. It now enjoys an unrivalled reputation as a venue for exhibitions of international importance.
Gallery, Library, Historic house or home, Museum
Varies with each exhibition
- Museums Association
- 27 September — 14 December 2014 *on now
In September 2014, the Royal Academy will present the first major retrospective of work to be held in the UK by Honorary Royal Academician, Anselm Kiefer. A highly erudite artist, Kiefer’s intellectual discourse with the work of past masters, and with history itself, permeates his oeuvre.
This large scale retrospective will include works ranging from Kiefer’s student days up to the present time, comprising artist’s books, drawings, photographs, watercolours, paintings, sculptures and installations. Following in the Royal Academy’s tradition of celebrating its artist members with single artist shows, this exhibition will present Anselm Kiefer as an artist who continues to seek new challenges and produce ever more ambitious work, including pieces conceived specifically for the Royal Academy’s galleries.
Please see website for further details on admission charges.
Giovanni Battista Moroni
- 25 October 2014 — 25 January 2015 *on now
In Autumn 2014, the Royal Academy of Arts will present the first comprehensive exhibition in the UK to showcase the works of the Bergamo artist Giovanni Battista Moroni.
A contemporary of Titian, and one of the most important painters of the Northern Italian Renaissance, Moroni is widely regarded as one of the greatest portraitists of all time. His genius lay in his ability to capture both the exact likeness, character and inner life of his sitters with a rare penetrating insight.
Depicting members of the society in which he lived, his portraits convey a humanity, particularly in his portrayal of the regular people of Bergamo of his day, and are remarkable for their vitality, directness and immediacy. The exhibition will present Moroni not only as a distinctive portraitist but also in his lesser-known role as a religious painter.
- Any age
See website for details on admission charges.