Whitechapel Gallery

Whitechapel Gallery
77-82 Whitechapel High Street
Greater London
E1 7QX






020 7522 7888


020 7377 1685

All information is drawn from or provided by the venues themselves and every effort is made to ensure it is correct. Please remember to double check opening hours with the venue concerned before making a special visit.
Whitechapel Gallery
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The Whitechapel Art Gallery was founded in 1901 to bring great art to the people of east London. Internationally acclaimed for its exhibitions of modern and contemporary art and its pioneering education and public events programmes, the Gallery has premiered international artists such as Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko and Nan Goldin, and provided a showcase for Britain’s most significant artists from Gilbert & George to Lucian Freud, Peter Doig to Mark Wallinger.

The Gallery plays a unique role in the capital’s cultural landscape and is pivotal to the continued growth of East London as the world’s most vibrant contemporary art quarter.

The Grade II* Whitechapel Gallery was designed by architect Charles Harrison Townsend. This purpose built gallery is an outstanding example of the Arts and Crafts movement and its aspirations of being accessible, spiritually uplifting and transformative. This development also builds on the 1980s expansion by Colquhoun and Miller under the directorship of Sir Nicolas Serota and inaugurated by the Queen Mother.

Venue Type:


Opening hours

Tues-Sun 11.00-18.00
Thurs 11.00-21.00

Closed: Mon

Admission charges


Exhibition details are listed below, you may need to scroll down to see them all.
Photomontage by Hannah Höch of a woman in a bathing suit

Hannah Höch

  • 15 January — 3 November 2014 *on now

The first UK retrospective of works on paper by internationally renowned German Dadaist Hannah Höch (1889–1978).

Bringing together over 100 works dating from the 1910s to the 1970s, this exhibition illustrates how Höch established collage as the artistic medium of choice for satire whilst being a master of its poetic beauty.


Please check before visiting.



photograph of Kader Attia's installation

Kader Attia: Continuum of Repair: The Light of Jacob's Ladder

  • 16 January — 1 November 2014 *on now

French Algerian artist Kader Attia's (b. 1970) immersive, multi-media installation gives us a glimpse of infinity. He revisits the story of Jacob's Ladder describing the prophet’s vision of angels ascending from earth to heaven. A towering floor to ceiling structure fills the lofty spaces of the Gallery as a cabinet of curiosities, artefacts and books

Suitable for

  • Any age
Photograph of man and child looking at display boards at gallery

Stephen Willats: Concerning Our Present Way of Living

  • 4 March — 14 September 2014 *on now

English conceptual artist Stephen Willats (b.1943) pioneered socially interactive and community engaged art in the 1960s and 70s. This archive display focuses on his exhibition at the Whitechapel Gallery in 1979 and includes Sorting Out Other People’s Lives (1978), a work made with residents of the Ocean housing estate in Tower Hamlets in which Willats explores the intersection between community and home life through recordings and photographs

Suitable for

  • Any age
still from chris marker's la jetee

Chris Marker: A Grin Without a Cat

  • 16 April — 22 June 2014 *on now

Visionary French filmmaker Chris Marker (1921–2012) created vivid film-essays that lace realism with science fiction and lyricism with politics. Changing his name, declining to be photographed or interviewed, Marker was both enigma and legend. His influence extends across art, experimental film and mainstream cinema: his 1962 masterpiece La Jetée was the basis of Terry Gilliam’s 1995 Twelve Monkeys.

A photographer and director of 60 films, Marker was an inveterate traveller - his camera was his eye. His astonishing range of footage can encompass a temple in Tokyo devoted to cats to frozen flowers in a Siberian science station. Marker pictures our cultural rituals, ancient and modern – visiting a shrine, playing video games, protesting on the streets. He splices his images with found footage including fragments of movies, cartoons, ads and newsreels. Musical scores are interwoven with the noises of everyday life; haunting commentaries are narrated as if from the future, meditating on history and memory. ‘I compare dreaming to cinema and thinking to television’.

Darkness also underlines Marker’s portrayals of planetary cultures – memories of war ravaged France, the brutalities of colonialism, the failures of revolution. This exhibition takes us on a journey through the themes that absorbed him –the museum, travel, film, revolution and war. We also encounter portrayals of his friends including Christo, Roberto Matta and Andrei Tarkovsky. Great classics such as Statues Also Die (1953), Le Joli Mai (The Merry Month of May) (1962), A Grin Without a Cat (1977), Sans soleil (Sunless) (1982), Zapping Zone (Proposals for an Imaginary Television) (1990–94), alongside photographs and bookworks offer a sequence of multi-media environments saturated with sound and image.