A showcase for contemporary art, presenting work by young artists or by extablished international artists whose work is rarely seen in the UK.
Daily 10am-6pm, 7 days a week. Admission is free.
Free admission to all shows - including temporary, curated exhibitions.
Key artists and exhibits
- Damien Hirst, Tracey Emin, Sarah Lucas, Ron Mueck, Duane Hanson and Chris Ofili, to name but a few.
SALON 003: Calder on Paper 1960 - 1976
- 27 September 2017 — 7 January 2018 *on now
A collection of earlier works on paper by Calder dating from 1939 - 1959, will be simultaneously displayed at Omer Tiroche Gallery in Mayfair, London. Exhibiting his work from two separate time periods in his career, in two separate locations, serves to create a comprehensive retrospective. It also ensures that a greater number of works - both familiar and unfamiliar - can elucidate Calder's contribution to the development of modern art.
- Family friendly
Iconoclasts: Art Out of the Mainstream
- 27 September 2017 — 7 January 2018 *on now
'Iconoclasts: Art Out of the Mainstream' is a major new exhibition featuring the work of thirteen ground-breaking artists.
By using a myriad of unusual image-making practices - from branding imagery onto human skin to sculpting curving structures out of crow feathers - these artists are breaking the mould, ushering in a new age of artistic defiance through their resistance of typical artistic processes and their personal interpretations of cultural mores.
While this group cannot be described as iconoclasts in the traditional sense of the word, they are all driven by an iconoclastic urge, which manifests itself in the intriguingly diverse and often destructive ways they produce art. A startling number of materials and techniques cohabit in one exhibition, where abstraction, figuration, creation and deconstruction combine.
At a time when the very notion of iconoclasm has seemingly become mainstream, Iconoclasts brings together the work of thirteen distinct contemporary figures, seeking to examine what it means to be an iconoclast today.
Iconoclasts features the work of Maurizio Anzeri, Matthew Chambers, Daniel Crews-Chubb, Josh Faught, Aaron Fowler, Danny Fox, Makiko Kudo, Dale Lewis, Thomas Mailaender, Kate MccGwire, Renee So, Douglas White and Alexi Williams-Wynn.
Inside Pussy Riot
- 14 November — 24 December 2017 *on now
As part of the ‘Art Riot: Post Soviet Actionism’ exhibition, Les Enfants Terribles, in association with Tsukanov Family Foundation present ‘Inside Pussy Riot’, the story of a group of modern day, post-punk feminist revolutionaries who stuck two fingers up at the system and suffered the consequences. Pull on the balaclava, stand in the dock and live the realities of imprisonment in this immersive experience. Tickets start from £21.50 and are available at https://insidepussyriot.seetickets.com/tour/inside-pussy-riot
- Family friendly
Tickets start from £21.50 and are available at https://insidepussyriot.seetickets.com/tour/inside-pussy-riot
Art Riot: Post-Soviet Actionism
- 16 November — 31 December 2017 *on now
On 16 November 2017, the Tsukanov Family Foundation and Saatchi Gallery will open ‘Art Riot: Post-Soviet Actionism’, an exhibition dedicated to Post-Soviet protest art over the past 25 years, a world premier for protest artists Pussy Riot and Pyotr Pavlensky. The exhibition will feature work by performance artists including Oleg Kulik, Pussy Riot, Pyotr Pavlensky, Blue Noses Art Group, Arsen Savadov, AES + F, Vasily Slonov, and will display various genres and types of protest art, from posters and slogans to video art, staged photography and performances.
- Any age
Prints and Originals Gallery | Revolutions Per Minute
- 29 November — 24 December 2017 *on now
Revolutions Per Minute includes an international roster of artists who have participated in the Nuart Festival. The festival has showcased established legends, such as Futura, Martha Cooper and Jamie Reid, as well as newly emerging artists from around the globe and leading Norwegian artists. The exhibition will feature a mix of new original works and limited edition prints.
- Any age
SALON 004: PHILIP PEARLSTEIN: PAINTINGS 1990 - 2017
- 17 January — 25 March 2018
"[By 1960], I decided I didn't want to express other artists' ideas any longer. I wanted to paint what was in front of me." Philip Pearlstein, Studio International, 2016
SALON, in collaboration with Betty Cuningham Gallery, New York, is delighted to announce its fourth exhibition, Paintings 1990 – 2017, a presentation of works by the revered American artist, Philip Pearlstein.
Pearlstein, now 93, has had an active career in the US and abroad since the mid-1950s. He first studied painting at the Carnegie Institute of Technology where he met Andy Warhol. Upon graduation, Warhol and Pearlstein moved to New York together to seek work in commercial design and pursue their own fine art careers. Pearlstein worked in an abstract expressionist style in the 1950s, before shifting to realism. This show, which is comprised of eight large-scale works in oil, is a celebration of his depiction of the human nude, a subject that has preoccupied Pearlstein since 1960 – as he says, 'it is a shape that is always changing.' In the 1980s, Pearlstein began to surround his sitter with objects from his personal collection to further engage the viewer and challenge himself. This exhibition highlights the strategies he employs in creating a complexity in his paintings that continues today.
Models and Blimp (1991), with its Michelin man, decoy swan and antique weathervane, is illustrative of Pearlstein’s mature work. While the props around the two female models intrigue, they are not there to create meaning or narrative. For Pearlstein, painting is abstract, it is just painting: his approach to living, human flesh is the same as to inanimate objects.
In this work, as with others, Pearlstein chooses a point of view that creates the most challenging composition for him to paint, and for the beholder to view. The unsettling effect of the skewed, oblique angles and perspectival compression is further reinforced by the truncation of the head and legs of the model in the foreground.
Masterful and powerful, every painting featured in the show goes against the conventions of portraiture - often emotive and introspective. Pearlstein's works maintain a sense of complete detachment, which is both alluring and disconcerting.
Says Senior Director Saatchi Gallery, Philippa Adams: 'Philip Pearlstein’s approach to the nude is unflinching - as a realist, he paints what he sees. However, the introduction of random objects from his studio brings a sense of ambiguity. Indisputably one of America's greatest artists, SALON is honoured to be working with Pearlstein, and with Betty Cuningham, to bring this exhibition together.'
About the Artist
Philip Pearlstein was born in Pittsburgh, PA in 1924. He received a BFA from Carnegie Institute of Technology in 1949 and an MA from NYU’s Institute of Fine Arts in 1955. That same year he had his first solo show at Tanager Gallery. Among Pearlstein's honours are a National Endowment for the Arts grant, 1968; a Guggenheim Foundation fellowship, 1969; and election to the American Academy and Institute of Arts and Letters, 1982, for which he served as President from 2003 – 2006; and recently the Icon Award in the Arts from the Bruce Museum in Greenwich, CT. Honorary Doctorates received from: Carnegie Mellon University, Pittsburgh, 1983; Brooklyn College, Brooklyn; College of Art & Design, Detroit; New York Academy of Arts, New York; and Lyme Academy College of Fine Arts, Old Lyme. Currently, he lives and works in New York City.
Pearlstein’s work can be seen in a host of prestigious collections in the United States, most notably: The Art Institute of Chicago, Chicago; Carnegie Museum of Art, Pittsburgh; The Cleveland Museum of Art, Cleveland; de Young Museum, San Francisco; Hirshhorn Museum, Washington DC; Metropolitan Museum of Art, New York; Morgan Library and Museum, New York; Museum of Fine Arts, Boston; Museum of Fine Arts, Houston; The Museum of Modern Art, New York; National Gallery of Art, Washington DC; Philadelphia Museum of Art, Philadelphia; Portland Museum of Art, Portland; and the Whitney Museum of American Art, New York.
About Betty Cuningham Gallery
Betty Cuningham has by her own admission reinvented her gallery several times. In 1972, she opened her first gallery on Prince Street in the heart of Soho, just above the well-known bar, Fanelli’s, where she showed John Walker, Ross Bleckner, Ray Parker, David Diao among others. In 1982, Mike Fanelli died and Betty moved uptown to join Hirschl & Adler Modern where she first began working with Philip Pearlstein. This was the beginning of their 36-year business partnership. The pair moved twice: in 1998 to the Robert Miller Gallery and in 2004 to her re-opened Betty Cuningham Gallery. Currently she represents (in addition to Philip Pearlstein) Rackstraw Downes, William Bailey, the Estates of Christopher Wilmarth, Andrew Forge, and Jake Berthot and Bill Traylor from the Charles E. and Eugenia C. Shannon Trust. After 10 years in Chelsea, the gallery relocated to Manhattan’s Lower East Side (only a few blocks away from where she first opened).
firstname.lastname@example.org | www.bettycuninghamgallery.com
About SALON at Saatchi Gallery
SALON, Saatchi Gallery’s new project space has been created to present the work of leading international artists who have had limited exposure in the UK. Located in its own self-contained space at the Saatchi Gallery, this new venture will collaborate with galleries and artists’ estates in selling exhibitions, and is directed by Philippa Adams, Senior Director, Saatchi Gallery.
email@example.com | www.saatchigallery.com
- Family friendly
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