1 Oozells Square
0121 248 0708
0121 248 0711
Café Opus at Ikon
0121 248 3226
0121 248 0708
Ikon Gallery is an internationally acclaimed contemporary art venue situated in the refurbished neo-gothic Oozells Street School building in Brindleyplace, central Birmingham. Ikon shows a varied programme of exhibitions which change every two months, along with a series of talks, tours, workshops and seminars.
Tuesday - Sunday 11am - 5pm
Closed Mondays except Bank Holidays, and during installation of exhibitions. Please call to confirm opening times
Ikon Resource Room: Situated on the 2nd floor, the Resource Room is a public space offering interpretative material for main gallery exhibitions.
Ikon Shop: Ikon has an on-site specialist art bookshop plus an online shop at www.ikon-gallery.org Opening times are Tuesday - Sunday 10.30am-5:30pm. Open during installation of exhibitions.
T: 0121 248 0711.
Café Opus at Ikon: a modern British café, featuring classic dishes sourced from high quality producers. Opening times are Monday - Saturday 11am-8pm, Sunday 11am-5pm. Open during installation of exhibitions.T: 0121 248 3226.
Ikon Gallery Hire: If you are interested in hiring the Galleries or Events/Meeting Room for a private function or meeting please telephone Ikon Marketing on 0121 248 0708 for a copy of our brochure and current rates.
Access: Ikon Gallery aims to be fully accessible to disabled visitors. A wheelchair and audio guide are available on request. Guide dogs are welcome throughout the building. If you require assistance, please telephone 0121 248 0708 or ask at the reception desk.
Ikon shows a continuous programme of changing exhibitions both in the galleries and offsite. A variety of media are represented including sound, video, mixed media, photography, painting, sculpture and installation. As well as exhibitions in the gallery, exhibitions and projects also take place regularly in Ikon's Events Room and Tower room.
Decorative and Applied Art, Film and Media, Fine Art, Photography
Artists for Ikon
- 24 April — 4 May 2015 *on now
Ikon’s 50th anniversary celebrations will culminate in Artists for Ikon, an exhibition at the gallery (24 April – 4 May 2015) followed by a major contemporary art auction at Sotheby’s, London in July 2015. The exhibition will preview works donated for the auction by some of today’s most important artists, all of whom have exhibited at the gallery. It will be a survey of Ikon’s greatest hits.
Artists include Hurvin Anderson, Martin Creed, Ian Davenport, Marcel Dzama, Ryan Gander, Antony Gormley, Carmen Herrera, Roger Hiorns, Beatriz Milhazes, Julian Opie and Cornelia Parker amongst others. The proceeds of the auction will lay the foundations for Ikon’s 50th Anniversary Endowment Fund, dedicated to the gallery’s artistic programme and the commissioning of new art work.
- 13 May — 12 July 2015
Pavel Büchler is a Czech artist who has been based in the UK since the early 1980s. This is the most comprehensive exhibition of his work in the UK to date.
Utilising a variety of media including text, obsolete technologies and material discovered on the internet, Büchler frequently pairs seemingly unrelated things, often through accident or chance, drawing attention to the everyday and revealing it as fundamentally strange.
Relentless in his consideration of art as an institution and his own place within it, Büchler explains that “a lot of my work is realised, polished and resolved recognising the potential link to art history, to the work of artists that interest me.”
At Home with Vanley Burke
- 22 July — 27 September 2015
Vanley Burke, born in Jamaica in 1951, resident in Birmingham since 1965, is renowned as a photographer concerned especially with black culture in Britain.
Next summer the entire contents of his flat in Nechells, north-east Birmingham will be transferred to Ikon’s first floor galleries. Besides furniture and other household items visitors will have an opportunity to explore his archive, a vast collection including printed material - posters, flyers, publications etc - clothes, records, ornaments and countless other items that provide invaluable insights into our African and Caribbean communities. In this way the artist will be revealed as a subject of his own enquiry. His personal story, in which it vital archival impulse, is integral to the bigger picture he is making for us.