
From hurriedly daubed outbursts on kingsize bedsheets to rich landscapes on silk, the recent spate of marches in Britain have testified to the modern status of banner making as an outlet for creativity.
“It seemed a fantastic combination of the tradition of banner making with a contemporary subject,” says Jeremy Deller, discussing Ed Hall’s Brixton Bomb banner, a portrait which rails as powerfully against racism as any speech.
“It was a key moment for me as an artist, and that’s why he is my icon.”

Hall started making them in the early 1980s, and his preparatory sketches, photographs, newspaper clippings and archive materials accompany a recreation of his studio and a film made in a collaboration with Deller from the TUC National Demonstration Against the Cuts.

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