
© Courtesy Anne Desmet / Hart Gallery, London
The futuristic flawlessness of the designs which won the Olympics for London seem to be enriched by Anne Desmet’s multi-layered examinations of them.
A neighbour of the central Olympic site, Desmet’s intrigue with the mass of construction going on around her has resulted in the Royal Academy of Arts artist exploring the circular forms of the stadium and velodrome, layering the different building phases on top of each other in abstract, map-like images.
She accompanies these collages with wood-engraved print portraits of Hackney marshes, as well as razor shells and roofing slate details of the stadium. They are made in tiles, stone, glass and scraps of the A-Z of London, surveying the geology of the terrain and the effect of the development.
Twelve of them are previously unseen, including two engravings of the Aquatics Centre and another, Olympic Shadows, which was presented to the Academy as part of Desmet’s Diploma Work which led to her election last year.
- Open 1pm-5pm (11am-5pm Saturday, closed Monday). Admission free.
More pictures:

Olympic Velodrome In Construction, 2009 (2010). Wood engraving on Gampi paper© Courtesy Anne Desmet / Hart Gallery, London

Olympic Velodrome Unveiled Olympic (2012). wood engraving with stencilled paper, colour details printed on cream
© Courtesy Anne Desmet / Hart Gallery, London
© Courtesy Anne Desmet / Hart Gallery, London

Olympic Aquatics Centre In Construction (2012). Wood engraving on cream Gampi Vellum
© Courtesy Anne Desmet / Hart Gallery, London
© Courtesy Anne Desmet / Hart Gallery, London

Olympic Velodrome Site (2010). Wood engraving on Gampi
Vellum paper
© Courtesy Anne Desmet / Hart Gallery, London
Vellum paper
© Courtesy Anne Desmet / Hart Gallery, London

Olympic Stadium with Cranes I (2009). Wood engraving on Gampi Vellum paper
© Courtesy Anne Desmet / Hart Gallery, London
© Courtesy Anne Desmet / Hart Gallery, London



