
The Japanese punk fanzine, Insane Whorehouse (from 1979), is one of the exhibits in the new show at the Hayward© Punk: An Aesthetic edited by Johan Kugelberg and Jon Savage, Rizzoli, 2012
“Get-up-and-get-on-with-it eyeball-pleasers” is how Johan Kugelberg, the co-curator of this overview of punk graphic design from way back, describes the splurge of homemade cassettes, fanzines, posters, handbills, recordings and clothing.

A poster for the band Crass from 1978© Punk: An Aesthetic edited by Johan Kugelberg and Jon Savage, Rizzoli, 2012
They include flyers for Joy Division gigs, adverts for a documentary about the Pistols, dusted-off 7” records, Black Flag prints and clothing dreamed up by Vivienne Westwood and Malcolm McLaren.
“If you don't like the culture you are spoon-fed, you can make your own,” says Kugelberg, who founded the hip-hop history and punk history archives at Cornell University, runs a New York Gallery and wrote the book The Velvet Underground: New York Art.
“It worked wonders at the end of the seventies, and all these jagged, chiaro-scuro urgent masterpieces of graphic design, executed by art school masters alongside anguished adolescents, continue to reverberate.”
- Open 10am-6pm (8pm Thursday and Friday). Admission free. The accompanying book, Punk: An Aesthetic, is edited by Johan Kugelberg and Jon Savage and published by Rizzoli. Find out more about the book.
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© Punk: An Aesthetic edited by Johan Kugelberg and Jon Savage, Rizzoli, 2012

© Punk: An Aesthetic edited by Johan Kugelberg and Jon Savage, Rizzoli, 2012

© Punk: An Aesthetic edited by Johan Kugelberg and Jon Savage, Rizzoli, 2012






