Artist and filmmaker John Akomfrah brings his Hauntologies to Carroll/Fletcher gallery

By Ben Miller | 23 October 2012
A photo of a film still showing a young African woman sitting on a hill against a blue sky
John-Akomfrah, Katharina sits in Field. From Peripetetia (2012)© John Akomfram. Co-produced by Carroll/Fletcher and the European Cultural Foundation, 2012
Exhibition Preview: John Akomfrah – Hauntologies, Carroll/Fletcher, London, until November 8 2012

Artist, lecturer and writer John Akomfrah is best known as the co-founder of the imaginative Black Audio Film Collective, in 1982, and for his incisive, mesmerising abstract film works with a series of independent film and television production companies for the past 15 years, including his current Smoking Dogs Films group.

Akomfrah strives to give a voice and visual presence to descendants of the African Diaspora in Europe, using historical archives to devise film essays and fictional works capturing a sense of displacement.

In Hauntologies, he dwells on disappearance, memory and death in typically moving style. His first show for Carroll/Fletcher features three previously unseen video, sound and installation works, including Peripeteia, a short film based on two portraits believed to be the earliest western representations of black people, drawn by Albrecht Dürer during the 16th century.

Each morphs into a moorland landscape, evoking something of the presence of death repeated in At the Graveside of Tarkovsky, a sound installation inspired by the operatic soundtracks of 20th century Russian filmmaker Andrei Tarkovsky.

Three ghostly films form his essay, Psyche, which possesses a lineage of imagined biographies: Carl Theodor Dreyer’s The Passion of Joan of Arc was a silent French film, The Chronicle of Anna Magdalena Bach chronicled a fake journal written by Johann Sebastian Bach’s second wife, and Winstanley, a 1975 film by Kevin Brownlow, starred a social reformer attempting to form a self-sufficient community in Surrey.

Between them, these new and recent pieces reveal Akomfrah's obsession with film archives and the thoroughness of his practice.


More pictures:

A photo of a female figure standing with her bag to a screen showing a coast landscape
At the Graveside of Tarkovsky (2012). Installation© Courtesy John Akomfrah / Carroll/Fletcher
An image showing a woman sitting on a seat in a gallery looking at a landscape film
The Call of Mist - Redux (2012). HD video, colour, sound. A Smoking Dogs Films Production commissioned by Illuminations TV for the BBC© Courtesy John Akomfrah / Carroll/Fletcher
An image of a series of televisions on plinths in a gallery, one showing a man's face
Psyche (2012). Three-channel video installation, looped© Courtesy John Akomfrah / Carroll/Fletcher
A photo of two large canvasses of men and landscapes hanging inside a white gallery
Allegories of Mourning (2012). C-type prints on paper, wooden frame© Courtesy John Akomfrah / Carroll/Fletcher
A film still showing a young African woman sleeping on a grassy mountain wearing robes
Peripeteia (2012). HD video, colour, sound. A Smoking Dogs Films Production in association with Carroll/Fletcher and the European Cultural Foundation© Courtesy John Akomfrah / Carroll/Fletcher
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