
© Studio Fotografico, Carrara / The Easton Foundation
Sculptor and artist Louise Bourgeois may be one of the most famous artists of the 20th century, yet what remains generally unknown is that she underwent psychoanalytic treatment for almost three decades.
When her long-term assistant Jerry Gorovoy discovered a box of more than 1,000 recordings of her reactions to psychoanalysis in 2004, he unearthed what was to be the basis for the current exhibition showing at The Freud.
Also featured in the display are some of the iconic sculptures and paintings created by the artist, given a new context in view of her diary accounts.
"The discovery has enriched and augmented our understanding of Bourgeois’ work and life immeasurably," says curator Philip Larratt-Smith, discussing the collection of nearly 50 manuscripts on show.
Bourgeois died in May 2010 but had discussed the final home as Sigmund Freud as an appropriate venue for the show, as it ties in with the themes she hoped to address - namely her complex engagement with the theory and practice of psychoanalysis.
In some cases the sketches, notes, dream recordings, lists and drawings compliment her existing diaries, while in others they serve to fill the gaps for the years she did not keep one.
Her significant Janus Fleuri, from 1968, will be united with later pieces such as The Dangerous Obsession from 2003 and I am Afraid, made the year before her death.
By displaying her work alongside her accounts of her treatment, the exhibition raises fundamental questions about the relationship between art and life, as well as therapeutic nature of art itself.
- Open 12pm-5pm Thursday and Friday, 11am-5pm weekends, 12pm-8pm Wednesday, closed Monday and Tuesday. Admission £3-£6 (free for under-12s).
More pictures:

CELL XXIV 2001 Louise Bourgeois Trust. Photo: Christopher Burke

The Dangerous Obsession, Louise Bourgeois 2003 Louise Bourgeois Trust. Photo: Christopher Burke

© Louise Bourgeois Archive, New York, © The Easton Foundation.







