
© Christopher Hyland
“In photography, I seek poetry, panache and beauty,” says Christopher Hyland, an enthusiastic devourer of bold shots whose artists include Robert Mapplethorpe, Edward Steichen and John Dugdale in a collection he believes epitomises “the robust and dynamic spirit of American optimism in the 20th century.”
“If a photograph resonates with you, it is truly something wonderful – a bit of the divine in the resulting emotions you experience as a viewer. By way of your eyes, your mind computes where the subject is placed in negative or positive space, the use of light and dark, and whether the resulting image speaks to the ages.”

Brian Oglesbee, Water Series 74#14 (2001). Gelatin silver print© Brian Oglesbee
Hyland himself has created Transformation, a series of seven images showing a man being covered in tattoos which he affords a quasi-spiritual quality to. And he’s commissioned one of the contributors, Bill Armstrong, to create a triptych portrait of the Queen as she moves from childhood to middle age and beyond.
“I am looking for something new – something remarkable, something transformational,” he surmises. “I can think of no better UK venue to showcase my collection than the American Museum in Britain, which was founded to deepen understanding of American art and culture in Europe – the birthplace of photography.”
- Open 12pm-5pm (closed Monday, except Bank Holiday). Admission £4.50-£9 (family ticket £21.50-£24).

Robert and Shana Parke-Harrison, Edison's Light (1998). Photogravure© Robert & Shana Parke-Harrison

Shelby Lee Adams, The Fly Swat (1992). Gelatin silver print© Shelby Lee Adams

Thomas Barbèy, Urban Offering (2000-2001). Gelatin silver print© Thomas Barbèy

David Deal, National Anthem – Butte, Montana (2000). Silver gelatin print© David Deal

David Deal, Ball in Hands – Springfield, Illinois (2000). Silver gelatin print© David Deal