Manuel Saiz has a Private Party at Manchester's Castlefield Gallery

By Culture24 Staff | 09 February 2009
A picture of a middle aged man in a shirt and tie roaring with laughter

Pic © Manuel Saiz, courtesy Castlefield Gallery

Exhibition: Private Party. Keep Out, Castlefield Gallery, Manchester, until March 22 2009

For acclaimed video experimenter Manuel Saiz, the evolution of his industry is as worthy a topic for artistic examination as the quality of its application.

The Spaniard founded TheVideoArtFoundation five years ago, showing 300 international video art works comprising “a complete panorama of video art creation since 1990.”

A picture of a couple kissing as their movements are relayed on a small television screen next to them

Pic © Manuel Saiz, courtesy Castlefield Gallery

In Private Party, a solo show of existing and new work, Saiz considers the relationship artists have with their installations, audience and host exhibitors. “What interests me in the art practice is the event experienced by the artist and, in my work, my own experience when inventing, developing and performing the projects,” he says.

“The objects created, exhibitions, videos, pictures, books and texts are only valuable in relation with this experience.”

A picture of a bald man tied to a wall with silver tape

Pic © Manuel Saiz, courtesy Castlefield Gallery

He mounts a plaque at the front of the show expressing his pride in providing economic and social support to the gallery and persuades fellow countryman Luis Porcar to discuss his work in dubbing the voice of John Malkovich, reversing the plot by later showing Malkovich dubbing Porcar’s efforts back into English.

It’s a take on meaning revisited in Social Sculptures, in which three actors repeat Joseph Beuys’ immortal proclamation that “everybody is an artist” in differing tones, conveying anger, sadness and joy as they do so.

A picture of a black and white flowchart

Pic © Manuel Saiz, courtesy Castlefield Gallery

Points of View shows Saiz re-enacting interviews of artists on an adjacent, quieter installation, and two actors discuss issues surrounding video art and cinema in short film The Two Teams Team, exploring Saiz’s view that the “extremely demanding” nature of contemporary art means the role of the artist lies in “resource management” and “making decisions on what the priorities are and where optimal effort should be aimed.”

There’s advice on offer for viewers too – What is Art helps visitors decider what they perceive as art in a series of yes-no questions, shown as a pile of posters that the participant can take home.

A picture of a group of people sitting in a dark room having a discussion

Pic © Manuel Saiz, courtesy Castlefield Gallery

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