
Sandro Becchetti, Pier Paolo Pasolini, Le Ceneri di Gramsci, Rome (1971). Gelatin silver print
© Sandro Becchetti
© Sandro Becchetti
If you were seeking a champion for this generous display of portraits of some of the 20th century’s best-known artists, it’s hard to look beyond the man behind them.
“Italian photography presents itself here in all of its glory”, explains Massimo Minini, a contemporary art lover and occasional prehistoric archaeologist who has spent decades working with his subjects to assemble his formidable collection of works by 22 photographers.
“No other nation has produced such a wide range of great photographers who have not only portrayed but also worked on the same level as the artists of their generation.”

Claudio Abate, Pino Pascali, 6th Biennale Romana. Palazzo delle Esposizioni, Rome (1968). Gelatin silver print
Aurelio Amendola’s portrait of Giorgio de Chirico, the founder of the visionary, subconscious metaphysical art movement in Italy, shows an elderly and bemused figure.
Pino Pascali, who so loved to confuse the world with his uncanny recreations of weapons using found materials in the mid-20th century, is in playful mood in Claudio Abate’s image.

Aurelio Amendola, Fausto Melotti, Milan (1976).
As he delved through the archives, Minini gradually broadened the project to include writers, foreign artists and high-profile gallery owners, shot in often-unconventional style.
“In their gaze, we discover an attempt to depict the different routes of creativity and the process of artistic creation,” concludes Massimiliano Finazzer Flory, of Milan’s Department of Culture.

Mimmo Jodice, Alberto Burri, Naples (1978). Baryte paper print
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