
© Paul Postle
“It’s hard not to get a good photograph of Graham live,” admits Paul Postle, whose black and white shot of Graham Coxon, mid-air in a photo which is thrilling but hardly atypical given Coxon’s taste for on-stage hyperactivity, features in this exhibition.

An alternate shot from an NME shoot in Hammersmith (August 1995)© Kevin Cummins
From floppy-haired beginnings and the mockney tomfoolery of Parklife to the saccharine send-up of Girls and Boys and pop-art album covers, this is a band who seem to have been driven by Damon Albarn’s famed image consciousness.
“They have always collaborated with the best photographers, artists and graphic designers,” says curator Dave Brolan, observing a “powerful visual identity” which, he thinks, “perfectly reflects their music and ideas.”

Damon Albarn and Graham Coxon© Kevin Cummins
Alongside previously unseen artworks, Julian Opie, Banksy and photographers synonymous with the 1990s, such as Kevin Cummins, are represented. From the offset, you sense Blur knew their potential place in history.
“We always worked well together to record events,” says Postel. “They were always easy to shoot and worked with me to get the best results. In hindsight, it produced far more meaningful shots.”
- Open 12pm-8pm (6pm Saturday and Sunday). Admission free.
More pictures:

The cover for single Girls and Boys, with post-it note instructions from Dave Balfe of Food Records© Stylorouge

Coxon is one of the most respected guitarists of his generation
© Paul Postle
© Paul Postle

Albarn sprays a few iconic words in Clacton (1995)
© Kevin Cummins
© Kevin Cummins

The Parklife video
© Paul Postle
© Paul Postle

The view from the balcony at EMI
© Chris Taylor
© Chris Taylor



