(Above) Clare Rojas, Noise Pop (2009). Courtesy the artist, Gallery Paule Anglim, San Franciso and Kavi Gupta, Chicago
Exhibition: Clare Rojas - We They, We They, Ikon Gallery, Birmingham, until March 21 2010
Stepping into the first UK museum show by Clare Rojas is like stumbling upon the private chapel of a slightly mad Pagan with plenty of time, paint and a tall step ladder.
Four walls in the first gallery are covered in a patchwork of colour, motif and dark imagery. The eye bounces around trying to make sense of it all.
There are men and women sitting, moody and alone. There is a couple waving flowers and dancing. A woman laughs. It could perhaps be the story of a relationship.
Except there are three women whose mouths and eyes vomit blood and bile. There are jewel-headed men who climb a carpet to an old woman's mouth. One scene features a bigfoot type creature.
Clare Rojas, Red Feather Flower (2006). Courtesy the artist
The painted panels in the two other galleries contain many more scenes of notable strangeness. Some recall Hieronymous Bosch as perhaps seen on a needlework sampler.
Visitors will wonder where it all comes from. Clare Rojas must surely hail from some remote Native American reservation or Eastern European rural backwater, or so you would think.
But the work appears to be born out of over exposure to contemporary culture, not the reverse. Rojas and co-creator Andrew Jeffrey Wright use Tipp-ex to attack the pages of a fashion glossy in two Pythonesque animations on view in the resource room.
Ikon has also laid on a listening post where Peggy Honeywell, her folk-singing alter ego, plays one of her three CDs of knowing Americana. A video shows her gigging at a frat party, suggesting music really does have charms to soothe the savage beast.
Clare Rojas, Untitled (2007). Gouache and latex on panel. Courtesy the artist
The music and the artwork come together in the Tower Room where Rojas' bright, folksy imagery decorates the heads of seven antique banjos.
It is not an instrument you would associate with contemporary art. Nor might you expect to find a show supported by a kid's book about a pigeon called Pidgy.
But Rojas, together with Honeywell, has created a fully-realised, alternative world, and you cannot ask an artist for much more than that.
Admission free. Open 11am-6pm Tuesday-Sunday