Marcus Coates journeys to Milton Keynes Gallery with Psychopomp

By Mark Sheerin | 17 February 2010
A bird of prey flies around two men in a sitting room

(Above) Marcus Coates, Shamanic Costume, for consultation in Holon, Israel (detail) (2008). Courtesy Milton Keynes Gallery. Photo: Andy Keate

Exhibition: Marcus Coates - Psychopomp, Milton Keynes Gallery, Milton Keynes, until April 4 2010

It is amazing what Marcus Coates gets away with. In a film called Journey to the Lower World he informs tower block residents he has been to the spirit kingdom to consult animals about their fate. To get there, he reveals, he made a psychic descent of more than 21 floors using their elevators.

The Liverpool audience are by this point all ears. They have already seen the artist strap himself into a stag skin, complete with antlers that threaten to spear the light shade, and emit an alarming series of wildlife calls, to the accompaniment of a CD of tribal drums.

Of course, there is much laughter, but after a certain point that stops. Belief appears to take over, as if Coates' performance has tapped into a primal credulity which goes deeper than rationalism.

And yet the advice he brings back from the lower world is straightforward. He defies the group's expectations that a person or spirit will come to protect them.

An installation with different people on video screens

Marcus Coates, Dawn Chorus, Dawn Chorus (installation view) (2007). Courtesy Milton Keynes Gallery. Photo: Andy Keate

Coates is a trained shaman who makes art from his encounters with the animal kingdom. On the evidence gathered by the Milton Keynes Gallery, each performance is a mix of humour, mysticism and plain sense.

One can't help but laugh at his outfits, for example, many of which are on display. He explores the Israel-Palestine conflict dressed in a blue shell suit and a Newcastle United shirt. In Tokyo he looks into bike parking restrictions dressed in a white Marilyn Monroe dress.

Yet on both occasions, footage shows him enter a trance-like state and provide a soundtrack of non-human grunts, yelps, shrills and barks. Something otherworldly does take place.

Then there is the fauna-received wisdom. Much of it is pinned to the walls of the gallery and it makes a whole lot of sense.

"Nothing in itself is artificial," he explains to one, perhaps sceptical questioner. "This is the gap between understanding the appearance and the purpose."

If Coates is simply making it up on the spot, it is remarkable. No wonder he gets away with it.

Admission free. Open 12pm-8pm Tuesday-Friday (opens 11am Saturday, 11am-5pm Sunday).

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