Banksy's secret Bristol show explodes into life

By Ben Miller | 16 June 2009
A picture of people crowding around an icecream van at the entrance to a museum

An ice cream van (above) stars in Banksy's exhibition in Bristol

Exhibition: Banksy Versus Bristol Museum, Bristol's City Museum and Art Gallery, Bristol, until August 31 2009

"Owing to the nature of the building and the collections it is important that we limit the number of people in the Museum at any one time," warns the promo material accompanying Banksy Versus Bristol Museum. "These restrictions sometimes lead to queues forming – waiting times can be up to one hour, but it is worth the wait!"

A picture of a painting of a traditional landscape scene with an advertising board in the foreground

(Above) The destruction of the environment is considered in the artist's usual witty way

The anonymous graffiti superstar is perhaps the only artist who could cause excited exclamation marks in a press release, and the battle the exhibition moniker suggests is surely an easy triumph for him. A wrecked ice cream van dominates the centre of the space and stuffed animals run amok as the council-run floorboards teem with fashion-conscious art fans.

A picture of a painting of a slaves

Third world poverty gets the Banksy treatment (above). Another depiction shows Davina McCall treading on a child's foot

Kept secret from council officials and exhibition staff (they were told filming was going on, and one guessed it was Harry Potter), the show was set up in a matter of days, stuffing rooms with more than 100 "artefacts" as the mystery Bristolian gives something back with a fully paid-for romp through the Edwardian Museum of the city which inspired him.

A picture of a biblical Madonna and child listening to iPods

Madonna is shown listening to an iPod

"This is the first show I've ever done where taxpayers' money is being used to hang my pictures up rather than scrape them off," he told the BBC, alluding to a relationship with the local council which has occasionally seen his favourite son status replaced with scorn and rebuke. "This show is my vision of the future, to which many people will say, 'you should have gone to Specsavers.'"

A picture of a woman in Muslim dress frying an egg in a saucepan

The show is typically unafraid to face touchy subjects

As usual, most of it starts from a point of silliness and surrealism, frequently becoming more moving and pointed according to how long you spend looking and contemplating. A poverty-stricken, waif-like child sports a t-shirt proclaiming "I hate Mondays", animatronics position CCTV cameras in bird's nests and morph chickens into fried nuggets, and the biblical Madonna tunes into her iPod as she cradles her child.

A picture of a stuffed bird sitting on a ledge

Stuffed animals at the Museum become subverted

Banksy reckons he's "remixed" the old-fashioned Museum, sneaking subversive anomalies among the traditional displays of natural history and classical art, challenging his audience to a game of hide-and-seek.

A picture of a stuffed rabbit looking into a mirror

Banksy calls the show his "remix" of the traditional space

It's already a crushing critical success. "You would have to be the snootiest of critics not to be swept away by the sheer exuberance of this show," wrote Miranda Sawyer in the Guardian. The Telegraph said it was "humorous and inventive" and "deeply moving", calling it "as cheeky and renegade as a piece of illegal graffiti."

A picture of a piece of art in a bin which says this is where I draw the line

Critics have praised the free exhibition, which is open until the end of August 2009

Negotiations are rumoured to have begun as long ago as last autumn, but top-level organisers claim they have had no direct contact with their famous visitor. "At one point I worried that it was all a con, and the whole thing was just an elaborate heist," admitted Director Kate Brindley. Banksy is thought to have called in, presumably merging into the masses with effortless ease.

A picture of a stick figure with a speech bubble saying never underestimate the power of a big gold frame

Fans rejected suggestions that the artist has sold out by taking his work indoors

More than 8,000 people visited the Queen's Road site during the opening weekend, including Damien Hirst, who got to see one of his paintings stencilled with a rat. A one-in, one-out policy had to be adopted, and within hours websites were full of pictures, freed by the artist's resolutely anti-copyright philosophy.

A picture of a sculpture of a woman with sunglasses

Damien Hirst was among 8,000 visitors during the opening weekend

"The people in Bristol have always been very good to me – I decided the best way to show my appreciation was by putting a bunch of old toilets and some live chicken nuggets in their museum," added the artist.

"Maybe one day graffiti art will hang in lots of museums and be viewed in the same way as other modern art, although personally I hope it never sinks that low."

Open 10am-5pm. Call 0117 922 3571 or visit the show online for details.

All pictures © MG / BS4. Visit his Flickr site for more photos from the show.

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