
Jeff Keen, The Cartoon Theatre of Dr Gaz (1979)© Jeff Keen
Jeff Keen was one of a kind. Films, paintings, drawings, assemblages and Beat poetry all feature in a career which began during the 1960s, when Keen established himself as one of the most singular figures of the British post-war avant-garde.
His work rate and energy during this period was such that it almost matched the pace of his rapid animations which continue to compel from a varied back catalogue.

Jeff Keen (circa 1960)© Jeff Keen
Keen is particularly loved in Brighton, whose people and landscapes he determinedly bonded with in preference to the London scene.
In the years preceding his death, when Keen suffered from ill health, plans were formed to preserve and honour his vast and brilliant body of work.
His week-long contribution to Tate’s The Tank season last month, Gazapocalypse – Return to the Golden Age, was one of the first testimonies to his idiosyncratic genius since his death in June.
The major installation featured a huge dioramic screen of popping up projections, cut-up soundtracks and a level of experimentation and live action described by the venue itself as “unruly”.
In Brighton, this show stands both as a lengthier tribute and a continued showcase of the capacity his fearless adventures have to excite new artists.
Expert talks on underground cinema, family 16mm film workshops and digital paper-cut out sessions are all planned to accompany the celebration of a real one-off.
- Open 10am-5pm (closed Monday except Bank Holidays, December 24-26 and January 1). Admission free. Follow the museum on Twitter @BrightonMuseums.
More pictures:

LAFF (1966). Oil paint© Jeff Keen

Jeff Keen as 'Blatzom' (1986)© Jeff Keen

Amazing Rayday (circa 1960). Hand-coloured paper collage with watercolor and gouache© Jeff Keen

Stills from Keen's first two films, Like, The Time is Now (1961) and Wall (1960)© Jeff Keen

Keen working on large scale drawing (circa 1990)© Jeff Keen





