NN Contemporary Art

Image of front of building.

NN is a contemporary art space in the centre of Northampton. We work with artists at all stages of their careers to present an international programme of contemporary art and multi-disciplinary events. We moved from our previous home at Fishmarket to become NN at Number Nine Guildhall Road in 2012 where as well as exhibitions we house artist studios, project space, education projects and cafe.

Venue Type:

Gallery, Artist studio or collective

Opening hours

Wednesday–Saturday: 11am–6pm
Closed: Sunday–Tuesday

Admission charges

FREE

Getting there

Nearest Rail Station: Northampton
We are located at the top of Guildhall road, opposite Northampton Museum & Art Gallery.
When main entrance is closed, please use side door for evening events.

Events details are listed below. You may need to scroll down or click on headers to see them all. For events that don't have a specific date see the 'Resources' tab above.
Jasmina Cibic Topical Deives

Jasmina Cibic: Topical Devices

  • 20 July — 30 September 2017 *on now

This exhibition represents a concise moment in Jasmina Cibic’s current practice. A distillation of recent research into a specific objective arrangement, it is simultaneously a fragment of a much larger project, and yet complete as an iteration of the whole. At its centre stands that most pervasive figure in art history, the female nude.

Cibic’s films, photographs and installations are often populated by female figures. Sometimes speaking, sometimes mute, they dance, decorate and proclaim, acting as mouthpieces through which intricately researched tracts on the nature of power, aesthetics and statecraft pour forth. These ciphers are always formed by that which they appear to represent, even when the contents of their rhetoric is contradictory and garbled. They follow in the dubious tradition of the allegorical female, descendants of stately mother nations. The certainties of those great ages of nation-building gone, the trace and the archive here replace the sound and the fury in a double-game.

Key to Cibic’s work is her ability to play with fragmentation – highlighting basic ”building blocks”, be it in language, design or architecture, and representing them in isolation. Upon encountering the quarantined fragments, the spectator cannot help but attempt to reconstruct them, to imagine them in their original formation, and in doing so encounter the foundation of ideological and political thought. Each element speaks of its place of origin, and is infused with a variable effective half-life, charged with former ideologies that only deplete in potency over time.

The elements that make up this particular constellation derive their sources from three historical structures. This first is Dragiša Brašovan’s pavilion for the Kingdom of Yugoslavia, built for the occasion of the 1929 Barcelona World Exposition, which according to legend received the first prize at the Exposition. Due to political intrigue it subsequently lost that honour to the German Pavilion and its architect Mies Van der Rohe. The female nude that stands at the centre of this exhibition is taken from the pavilion’s entrance, here remodelled based on fragmentary and incomplete photographic documentation. It replaces the original whilst contradicting it, resurrecting this problematic emblem at the same time as overwriting it.

The second site of reference is the Former Palace of the Federation in Belgrade, from which a tapestry has been co-opted and ‘mass-produced’. As Brašovan’s nude, repurposed and re-contextualized by Cibic stands with the crypto-permanence embodied in its art-historical form, the repetitive facsimiles that background it fade as their historical potency depletes. Elsewhere we see their fixity restored in photographs of the Former Palace, distant in their documentary clarity, yet alluring by way the allegorical females placed in front of them.

The third site is another structure designed to sell Yugoslavia’s European potential. Now a republic, it modeled itself as a leading nation in the Non-Aligned Movement. In Cibic’s film NADA: Act I, Vjenceslav Richer’s original design for the 1958 Brussels World Exposition is realised, complete with its censored spire, albeit in the guise of a musical instrument. Once strung, a variation on Béla Bartók’s Magnificient Mandarin is performed. It was this controversial pantomime ballet that was chosen by the Yugoslav Republic to represent it to the international audience on the Nations’ Day in Brussels.

Gathering together these symbols and iconographies, Cibic’s projects present a synthesis of gesture, stagecraft and re-enactment. Instantiated in films and installations, hers is also an ongoing performative practice, an ‘enacted’ exercise in the dissection of statecraft. Her multilayered approach draws together primary sources and falsified narratives. This willful overwriting creates shifting meanings and highlights historical uncertainties and untruths, especially in the gendering of the past. Cibic plays a double-game, at once decoding mechanisms of power whilst building her own exemplary allegorical structures. Hers is a practice that addresses the ways in which visual language, art, architecture, and rhetoric are deployed and instrumentalised by political regimes, before investigating what happens to these fragments when the ideologies they endorse collapse.

About the artist

Jasmina Cibic’s work is site and context specific, performative in nature and employs a range of activity, media and theatrical tactics to redefine or reconsider an existent environment and its politics. Her work draws a parallel between the construction of national culture and its use value for political aims, encouraging the viewer to consider the timelessness of psychological and soft power mechanisms that authoritarian structures utilise in their own reinsertion and reinvention. The basic gesture in her artistic explorations is the dismantlement and careful analysis of the work of art, its representation, and its relationship to the viewer as she tries to operate inside the system she is investigating.

Cibic represented Slovenia at the 55th Venice Biennial with her project For Our Economy and Culture.

Her recent exhibitions include solo shows at: Aarhus 2017, Esker Foundation Calgary, Museum of Contemporary Art Zagreb, Museum of Contemporary Art Belgrade, Museum of Contemporary Art Vojvodina, MGLC Ljubljana and Ludwig Museum Budapest.

Cibic’s films have been screened at Pula Film Festival, HKW Berlin, CCA Laznia, Les Rencontres Internationales Paris, Dokfest Kassel and Copenhagen International Documentary Festival. In 2016 Jasmina Cibic has been nominated for the Jarman Award and was the winner of the MAC International Ulster Bank and Charlottenborg Fonden awards.

www.jasminacibic.org

Suitable for

  • Any age

Admission

Free

Website

http://www.nncontemporaryart.org/exhibitions/jasmina-cibic/

Bumps and babes

Bumps and Babes

  • 31 August 2017 2-3pm
  • 28 September 2017 2-3pm

Get messy with your baby or pre-schooler in these crayon-fuelled, finger painting sessions. Make sure you wear clothes that can handle paint!

Suitable for

  • 0-4

Website

http://www.nncontemporaryart.org/exhibitions/

WIP

Work in Progress

  • 23 September 2017 2-4pm

19 August 2017, 2–4pm
23 September 2017, 2–4pm
For artists by artists, bring your work in progress for friendly peer critique. WiP is led by Sayed Sattar Hasan and starts with a featured artist presentation before opening the conversation out to the regular peer critique. If you would like to be a future featured artist at WiP, email us at info@nncontemporaryart.org.

Suitable for

  • 18+
Jasmina Cibic Topical Devices

In Conversation with Jasmina Cibic

  • 15 September 2017 7-9pm

15 September 2017, 7pm
Artist Jasmina Cibic will be in conversation about her current exhibition Topical Devices at NN Contemporary Art. Join us for this special event with the artist followed by drinks to celebrate the exhibition.

Website

http://www.nncontemporaryart.org/exhibitions/jasmina-cibic/

Write Club, NN

Write Club: writing for your website

  • 28 September 2017 6-7pm

Do you have a website? Join us for a session about writing for your website including tips on search engine optimization, what content to consider and clear communication.

Website

http://www.nncontemporaryart.org/exhibitions

Franklins Hotel AKA NN Contemporary Art

Museums at Night: Spend a night at Franklin's Hotel aka NN Contemporary Art

  • 26 — 27 October 2017 8pm-8am

Museums at Night: Spend a night at Franklin's Hotel aka NN Contemporary Art
Thursday 26 October 2017, 8pm–8am

To celebrate it's fifth year at Number Nine Guildhall Road NN is launching The New Archive with an opening night that lasts until breakfast!

The New Archive features commissions by artists that are part-real and part-imagined. Fragments of previous exhibitions, ideas revisited and imagined histories of NN will be filling the space with work by over twenty artists.

The opening night coincides with Museums at Night and so NN, for one night only, invites you for a sleepover in the gallery! You'll need to bring a sleeping bag, camping mat and a sense of fun as artists take us through the night with various activities including artist talks, ghost stories, marshmallow toasting in NN's Courtyard, film screenings and wide games.

Places are limited and booking essential. Booking will be available from the start of September.
Anyone under the age of 18 must be accompanied by a guardian.

Suitable for

  • Family friendly
  • Any age

Getting there

Nearest Rail Station: Northampton
We are located at the top of Guildhall road, opposite Northampton Museum & Art Gallery.
When main entrance is closed, please use side door for evening events.

NN Contemporary Art
Number Nine Guildhall Road,
Northampton
Northamptonshire
NN1 1DP
England

Website

www.nncontemporaryart.org

E-mail

Enquiries

info@nncontemporaryart.org

Press Assistant

kate@nncontemporaryart.org

Telephone

01604 638944

All information is drawn from or provided by the venues themselves and every effort is made to ensure it is correct. Please remember to double check opening hours with the venue concerned before making a special visit.
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