2 Clunbury Street
020 7193 5440
waterside contemporary is committed to developing an ambitious and vibrant multidisciplinary and cross-generational programme. Representing a portfolio of UK and international artists, the gallery brings institutional-quality exhibitions to London art audiences and market and supports the artists through curatorial projects and international art fairs.
d’Alancaisez and Ovenden share an interest in determined and engaged art practices. An international commitment allows the gallery to foreground current and historical overseas debates in a London context.
The gallery’s programme and projects encompass practices that pertain to and stem from political periphery, for example those of Karen Mirza and Brad Butler or Ştefan Constantinescu. In parallel, the gallery engages with conceptually-driven work of mid-career European and UK artists including George Barber and Karim Noureldin.
In a series of group and solo exhibitions, waterside contemporary has worked with artists including Hreinn Fri∂finnsson, Anna Ostoya, Damien Roach, A K Dolven, Anita di Bianco, Patrick Tuttofuoco, Ernesto Salmerón, Amikam Toren and Graham Hudson.
The gallery works closely with its artists on developing projects in London and abroad, with large-scale publishing interventions by Javier Rodriguez and Marcin Dudek’s installation projects examples of an evolving international line-up.
Wed - Sat 12.00-18.00
Who distinguishes light from dark
- 17 January — 22 March 2014
waterside contemporary presents Who distinguishes light from dark, a solo exhibition by Ariel Reichman, his first in the UK.
Through film, photography, drawing and installation, Reichman’s practice explores a paradoxical space between the poetic and the political, retaining a sense of innocence and childlike conviction with which to critically observe its institutional surroundings.
The exhibition itself rejects the perimeter of the gallery, leaving all walls empty. A central, purpose-built structure houses Secret Performance (I have to be strong), in which the artist tries to operate a wind-up torch to provide light for the duration of a reel of 16mm film.
Reichman creates conditions for seeing, a moment in which the personal becomes public and extrovert. Images appear at once metaphor and figurative, and it is often not clear whether we are looking in or out.
This repeating ambiguity in Reichman’s work is an invitation to cross from one mental state to the other, and highlights that while this experience can be freeing, it can also lead to renewed confrontation.
- Family friendly