Newcastle & Gateshead
Tyne and Wear
0191 227 3105
Gallery North is an important new addition to Newcastle's burgeoning art scene. This is a university gallery with vision and great potential; a public space for the free, disinterested exchange of ideas as well as for sheer visual delight.
Gallery North provides not just the contemplative setting that exhibitions need but also the sense of energy, expertise and intellectual and imaginative adventure that a university environment can bring.
You can expect big international names as well as emerging home-grown talent; and cutting edge new art as well as exhibitions of a broader, more historical nature.
Mon-Thurs 10.00-17.00, Fri 10.00-16.30
- 5 — 28 February 2015
An exhibition of work by Steve Aylett, David Blandy & Daniel Locke, Let Me Feel Your Finger First, Laura Oldfield Ford, Plastique Fantastique, Henrik Schrat and Joanne Tatham & Tom O'Sullivan, curated by Mark Jackson, Tom O'Sullivan and Joanne Tatham.
In 1985 DC Comics in the US had taken the commercial decision to unify the complex and contradictory character story arcs from its various strips such as Superman, Batman and Green Lantern. The resultant crossover series, Crisis on Infinite Earths, saw the heroes attempting to align all of the surviving Earths into one single reality that would then make DC Comics continuity more straightforward so as not to confuse potential new readers.
In 1987 Grant Morrison and Steve Yeowell's Zenith, a politically-engaged superhero comic strip originally published in British weekly 2000 AD, brought together a group of superheroes from across multiple realities to battle a mysterious Lovecraftian threat. This threat is intent on aligning all the universes, or 'Alternatives', into one, simple universe. Rather than reduce the complex and the inconsistent into the singular, the heroes of Zenith attempt to defend and maintain multiplicities. They meet on a world in Alternative 23.
The exhibition is an evolution of Alternative 23 at IMT Gallery, London, curated by Mark Jackson and supported by the Arts Council England and the Goethe Institut.