Parasol unit foundation for contemporary art
Parasol unit foundation for contemporary art is a not-for-profit art institution and registered educational charity that operates purely for public benefit. The core activity of Parasol unit is an outstanding exhibition programme which shows innovative and thought-provoking work by international contemporary artists and hosts a full programme of related educational events. The foundation mounts four exhibitions a year in a variety of media: sculpture, painting, installation, video and photography, including some specifically commissioned works. Most of the exhibitions are accompanied by a publication, an artist's monograph or catalogue, which is distributed worldwide.
Tues – Sat 10.00 – 18.00
Sunday 12.00 - 17.00
- 7 June — 12 August 2017 *on now
Monique Frydman's abstract paintings are a vibrant embodiment of colour and light. Soft lines are produced through frottage, a technique for which the artist rubs pastel on to an unstretched canvas that has been placed over a tangle of cord or string, and completed by adding pigment to the surface. Elegant arabesques of lines created by this process blend into the colour-saturated canvas producing works of dazzling luminosity.
This exhibition, curated by Ziba Ardalan, is accompanied by a full programme of educational events aimed at engaging the public.
- Any age
- 19 September — 8 December 2017
Parasol unit foundation for contemporary art is delighted to announce a solo exhibition of works by the distinguished American artist Martin Puryear. Showing in London for the first time in a public institution, this exhibition spans almost 40 years of the artist’s career and presents over thirty works, including sculpture and works on paper.
I value the referential quality of art, the fact that a work can allude to things or states of being without in any way representing them. Martin Puryear
Martin Puryear’s abstract sculptures are extraordinary. His reductive forms have a unique aesthetic and are loaded with a poignant sense of cultural history. Puryear explores human identity and politics with such intriguing subtlety that viewers cannot help but be enthralled by them. Meticulously constructed from a diverse range of materials, usually wood, most of his sculptures are hand-made by the artist himself using traditional techniques. Puryear’s working methods are clear testimony to his deep respect for skilled craftsmanship and his intense appreciation of the natural materials he chooses to use. The artist’s approach to his materials, his ability to use them to define both interior and exterior spaces, along with his inherent sensibility, all combine to produce profoundly considered works, infused not only with poignancy, strength and fragility but also with subliminal readings of our collective history.
In the ground floor gallery are large-scale works, such as the Big Phrygian, 2010–2014. This five-foot tall cedar-wood sculpture, painted bright vermillion, resembles the distinctive conical shape of a Phrygian cap. People of ancient Eastern Europe and Anatolia wore such caps, which in the modern world have come to signify the pursuit of liberty. More surreal is The Load, 2012, a wooden cube-shaped structure mounted above an axle connecting two found wooden cartwheels. This mobile cage, or cart with a long pulling shaft, has inside it a single gigantic eyeball looking out to the rear. Any viewer looking in through the wooden grid at the eye’s dark glass pupil will find their own reflection captured within the cage.
In the first floor gallery, the elegant curvilinear lines of Puryear’s sculptures grace various wall pieces, and in particular Phrygian Spirit, 2012–2014. This mixed-media wall sculpture, made predominantly of Alaskan yellow cedar, simply defines the negative space of a Phrygian (liberty) cap. In contrast to the fragility of that piece is the sheer solidity of the iron sculpture Shackled, 2014, which recalls the shackles worn by slaves when they were taken to America – a clear commentary on social history. Some visitors may relate this work to Puryear’s colossal Big Bling, 2015, a forty-foot high, multi-tiered, public commission sculpture recently exhibited in New York’s Madison Square Garden.
Print-making, too, has always been part of Puryear’s practice and a selection of prints are presented in a separate gallery on the first floor of the foundation.
On the outdoor terrace of Parasol unit is the towering – almost eight feet tall – evocative bronze work Question, 2013–2014, which appears to rise up like a shiny, twisting liquorice lace and anchor itself to the ground in a bulbous gourd-shaped form.
Curated by Ziba Ardalan, the Martin Puryear exhibition is accompanied by a publication, a limited edition and a full programme of related educational events aimed at involving the public.
Parasol unit appreciates the generous support of the Henry Moore Foundation and Matthew Marks Gallery.
Summer Holiday 2-Day Youth Workshop · Paint Me a Colour
- 26 — 27 July 2017 10am-2:30pm
- 2 — 3 August 2017 10am-2:30pm
Inspired by Monique Frydman's paintings, young people will explore relationships with colour and how people respond to those palettes. Experiment with textile mark-making techniques and play with layering to create textural art pieces. Create a finished work designed to hang in a light filled space.
Social Fabric has experience leading innovative workshops, teaching, lecturing and creating stunning printed textiles in over two hundred educational establishments including schools, community venues and corporate settings.
£45 per participant (for both days) · Limited spaces
Parasol unit foundation for contemporary art
14 Wharf Road
020 7490 7373