ICA

ICA
The Mall
London
Greater London
SW1Y 5AH
England

Website

www.ica.org.uk

E-mail

ICA Membership

sales@ica.org.uk

Tickets and Box Office

tickets@ica.org.uk

Private Events

events@ica.org.uk

Telephone

Switchboard

020 7930 0493

All information is drawn from or provided by the venues themselves and every effort is made to ensure it is correct. Please remember to double check opening hours with the venue concerned before making a special visit.

The ICA supports radical art and culture. Through a vibrant programme of exhibitions, films, events, talks and debates, the ICA challenges perceived notions and stimulates debate, experimentation, creativity and exchange with visitors.

Founded in 1946 by a group of artists including Roland Penrose, Peter Watson and Herbert Read, the ICA continues to support living artists in showing and exploring their work, often as it emerges and before others. The ICA has been at the forefront of cultural experimentation since its formation and has presented important debut solo shows by artists including Damien Hirst, Steve McQueen, Richard Prince and Luc Tuymans. More recently Pablo Bronstein, Lis Rhodes, Bjarne Melgaard and Juergen Teller have all staged key solo exhibitions, whilst a new generation of artists, including Luke Fowler, Lucky PDF, Hannah Sawtell and Factory Floor have taken part in exhibitions and residencies.

The ICA was one of the first venues to present The Clash and The Smiths, as well as bands such as Throbbing Gristle. The inaugural ICA / LUX Biennial of Moving Images was launched in 2012, and the ICA Cinema continues to screen rare artists' film, support independent releases and partner with leading film festivals.

Venue Type:

Gallery

Opening hours

Open Tuesday to Sunday, 11am – 11pm.

Exhibitions are open 11am – 6pm, except Thursday, 11am – 9pm.

Admission charges

Entry to the ICA is with Day Membership, set at £1. Day Membership includes access to art exhibitions and displays, as well as use of facilities such as the café bar and free wifi.

Collection details

Fine Art, Photography, Film and Media

Exhibition details are listed below, you may need to scroll down to see them all.

First Happenings: Adrian Henri in the ‘60s and '70s

  • 27 January — 15 March 2015 *on now

First Happenings: Adrian Henri in the ‘60s and '70s, offers a focussed look at Adrian Henri’s pioneering role in the ‘happenings movement’ in Britain, setting up the first ‘Event’ in 1962, through to enabling various collaborative events into the 1970s.

As a painter, poet, musician and performer he was a central protagonist during a period of intense creativity and collaborative artistic endeavours that centred in Liverpool – at the time a parallel centre for such activity alongside London and New York. Henri corresponded with performance artists including Allan Kaprow, Yoko Ono and Mark Boyle and authored a landmark publication, Total Art, Environments and Happenings *Thames and Hudson, 1974).

Reflecting Henri’s eclecticism and insatiable curiosity, the display features numerous artefacts from the Adrian Henri estate, including original prints, collages, annotated scripts and hand-made posters for happenings, objects, ephemera, rock posters, counterculture documents and correspondence, as well as rare audio and video material.

Admission

Entry with Day Membership (£1)

Website

http://www.ica.org.uk/whats-on/first-happenings-adrian-henri-%E2%80%9860s-and-70s

Dor Guez: The Sick Man of Europe

  • 3 February — 12 April 2015

In collaboration with The Mosaic Rooms, the ICA is presenting the first UK institutional solo exhibition of artist Dor Guez. As an artist of Christian Palestinian and Jewish Tunisian descent, living in Jaffa, he is considered a leading and critical voice from the Middle East whose practice questions contemporary art’s role in narrating unwritten histories. Entitled ‘The Painter’ this new installation is the first of five from a new body of work, The Sick Man of Europe. Guez's most ambitious project to date, it reflects on the military history and current political climate of the Middle East through the creative practices of individual soldiers from the region.

The installation presents the story of a painter-turned-soldier, a Jewish Tunisian who immigrated to Israel. The ’painter’ was conscripted to the Yom Kippur War as a reservist soldier in 1973 and, in recent years, has undergone psychiatric treatment for post-traumatic stress disorder, part of which consists of repeatedly recording his memories of the war. These recordings are central to Guez’s new work, and relate directly to his artistic strategy of repetition and storytelling in re-evaluating accounts of the past.

Admission

Entry with Day Membership (£1)

Website

http://www.ica.org.uk/whats-on/dor-guez-sick-man-europe

Viviane Sassen: Pikin Slee

  • 3 February — 12 April 2015

The ICA is delighted to present a solo exhibition of recent work by Viviane Sassen, a photographer who has garnered parallel critical acclaim as a fashion photographer and in the context of contemporary visual art. The content of the exhibition focuses predominantly on a body of work that Sassen made in Pikin Slee, Suriname in 2013. Pikin Slee is the second-largest village on the Upper Suriname River, deep within the Surinamese rainforest. The exhibition consists of black and white and colour works shot on an analogue camera.

In her first visit to Pikin Slee in the summer of 2012, Sassen was intrigued by the village and its inhabitants. Her eye was caught by the overwhelming natural beauty and the Saramacca's very traditional way of living, combined with the more mundane objects which seemed to seep through daily life. The Saramacca community are isolated from the outside world, living without running water, electricity, roads or the internet. The only way to access the village is by canoe, a journey of about three hours up-river. They grow their food on small agricultural plots, producing cassava bread, pressed maripa palm oil and dried coconut.

Admission

Entry with Day Membership (£1)

Website

http://www.ica.org.uk/whats-on/viviane-sassen-pikin-slee

FB55

  • 24 March — 17 May 2015

FB55 is an archival display of Francis Bacon’s show held at its former premises on Dover Street in 1955. At the time it was Bacon’s first ever solo institutional exhibition in the UK. The presentation in the ICA Fox Reading Room will include a display of documents, installation photographs, press reviews, invitation cards and publications.

Having represented Britain at the Venice Biennale the previous year, alongside Reg Butler, Lucian Freud and Ben Nicholson, surprisingly little is known of about Bacon’s 1955 ICA exhibition. It was organised with the help of philanthropist, collector and ICA founder Peter Watson - then the richest man in Britain whose death a year later was shrouded in mystery.

An inspiration to a younger generation of artists, Bacon stood apart from the more youthful Independent Group (IG) whose direct use of photographic material would eventually become synonymous with the birth of Pop Art. That said, Lawrence Alloway - the leading critic of the day - would later cite Bacon, not Richard Hamilton, as the founding father of Pop Art; possibly in reference to Bacon's dependence on the kind of photographic imagery derived from films, popular magazines and newspapers.

Admission

Entry with Day Membership (£1)

Website

http://www.ica.org.uk/whats-on/fb55

Ydessa Hendeles: From her wooden sleep…

  • 25 March — 17 May 2015

In “From her wooden sleep…”, Hendeles draws together disparate elements to compose a tightly choreographed tableau vivant. Continuing her daring explorations of psychologically charged cultural artefacts, Hendeles has staged this show to give visitors an unexpectedly intimate encounter with the work’s many suggestive elements.

Central to the installation is a remarkable and unique collection of 150 wooden artist manikins collected by the artist-curator over thirty years. Ranging in date from 1520 to 1930 and in scale from palm-size to life-size, the manikins surround a lone figure that stands exposed in the crossfire of their gaze. The intense focus of the scenario suggests a community gathering—perhaps in a courtroom, or at an auction, anatomy lesson or drawing class. The result is a multi-layered meditation on belonging.

Hendeles is a pioneering exponent of curating as a creative artistic practice. She is renowned for her large-scale, site-specific curatorial compositions. Her exhibitions are wide-ranging but precise, visually arresting and psychologically complex, but readily engaging to the general public. Pieces from the past are repositioned as keys to unlock the present. Blurring the line between collector, curator and artist, Hendeles has fashioned her own distinctive space in the contemporary art world. “From her wooden sleep…” is an extraordinary development in a singular career.

Suitable for

Admission

Entry with Day Membership (£1)

Website

http://www.ica.org.uk/whats-on/ydessa-hendeles-her-wooden-sleep

Events details are listed below. You may need to scroll down or click on headers to see them all. For events that don't have a specific date see the 'Resources' tab above.

Artist's Talk: Dor Guez

  • 4 February 2015 6:30-8pm

To coincide with Dor Guez’ first UK solo exhibition at the ICA, the artist gives a talk on his practice, discussing his new body of work The Sick Man of Europe. Guez's most ambitious project to date, this reflects on the military history and current political climate of the Middle East through the creative practices of individual soldiers from the region.

Dor Guez (b.1983 Jerusalem) is an artist, scholar, and founder of the Christian Palestinian Archive (CPA). In March 2014, Bezalel Academy of Arts and Design Jerusalem has appointed Guez as Head of the Photography Department, making Guez the youngest department head in the history of the academy. His latest research project about archives, Pre-Israeli Orientalism, is due to appear this coming year.

Suitable for

Admission

£7.00 to £8.00

Website

http://www.ica.org.uk/whats-on/artists-talk-dor-guez

Educators' Gallery Tour: Viviane Sassen and Dor Guez

  • 4 February 2015 5-6:30pm

Join ICA Curators Matt Williams and Juliette Desorgues on a tour through Pikin Slee and The Sick Man of Europe exhibitions.

At these free events designed especially for teachers, lecturers and educators, participants explore the exhibitions on a walking tour with ICA staff and receive free resource packs.

Educators and teaching staff get the opportunity to discuss the exhibitions directly with ICA curators.

Programme Supported by Maryam and Edward Eisler.

Suitable for

Website

http://www.ica.org.uk/whats-on/educators-gallery-tour-viviane-sassen-and-dor-guez

Where Theory Belongs: Camiel van Winkel

  • 4 February 2015 2-3:30pm

In this session, Camiel van Winkel will be in conversation with Dan Smith on topics relating to his recent book, The Myth of Artisthood, published by the Mondriaan Fund in 2013.

Camiel van Winkel writes on contemporary art and occasionally curates exhibitions. Based in Amsterdam, he teaches art theory and art philosophy at LUCA School of Arts / Sint-Lukas Brussels.

He is advisor at the Rijksakademie, Amsterdam. From 2000 to 2004 he was editor of the Flemish-Dutch art periodical De Witte Raaf. In 2000 he was awarded the Jan Bart Klaster Prize for art criticism for his book 'The Modern Void. On Art and the Public Condition'. Other books include The Regime of Visibility (2005) and During the Exhibition the Gallery Will Be Closed. Contemporary Art and the Paradoxes of Conceptualism (2012).

Suitable for

Admission

£3.00 to £5.00

Website

http://www.ica.org.uk/whats-on/where-theory-belongs-camiel-van-winkel

Parallax 05: Trinity Laban Composers at the ICA

  • 6 February 2015 7:30-9pm

This project is the fifth in a series of performances whose theme renders the idea of the "parallax" – the separation of two points between which no synthesis or mediation is possible – in musical form. Yet it is precisely via the dialectical tension of such work that new syntheses become possible.

Trinity Laban RDP and Staff composers were invited to submit pieces according to radically different traditions: either a Lachenmann-esque deconstruction of instruments or ensembles into timbre and noise, or a more ‘conventional’ harmonic approach in which the ensemble is treated as a more sonorous whole, following concepts often associated with minimalism or neo-classicism.

The evening will consist of a live evening concert in the Theatre featuring performances of notated compositions for acoustic instruments performed by the Trinity Laban Contemporary Music Group (CMG). The live pieces will include diverse combinations of improvisational, live-electronic, electroacoustic and theatrical approaches.

Suitable for

Admission

£6.00 to £9.00

Website

http://www.ica.org.uk/whats-on/parallax-05-trinity-laban-composers-ica

Where Theory Belongs: Andrew Copson

  • 11 February 2015 2-3:30pm

Where Theory Belongs is a series of ten lectures programmed and chaired by Dr. Stephen Wilson as part of CCW’s General Theory Forum, which places the excitement of theory back into the hands of the speaker and the audience. In an increasingly resistant culture of auto?regulated art-speak, art theory is in a constant need for reflective governance. This series will offer a platform that brings together: art theorists, anthropologists, sociologists, humanists, queer theorists, artists and political economists… theory will be addressed by those voices that write and speak it thereby suggesting Where Theory Belongs.

In this session, Andrew Copson, Chief Executive of the British Humanist Association is in conversation with Deborah Jaffé and Professor Malcolm Quinn.

Suitable for

Admission

£3.00 to £5.00

Website

http://www.ica.org.uk/whats-on/where-theory-belongs-andrew-copson

Artists' Film Club: Nevin Aladag

  • 18 February 2015 6:45-7:30pm

Nevin Alada?’s short films, like her performance and installed works, highlight social and political borders alongside moments of cultural translation. With a particular interest in sound, Alada? also often investigates urban and natural environments.

In works such as the City Language series (2009) and Sessions (2013) the natural environment and its elements play a variety of musical instruments, building different acoustic compositions on screen. The documentary-like Border Sampling (2011) follows an expedition as it collects physical samples from the sea along the line of a political border. In this work Alada? makes explicit reference to the transition of the political to the physical.

Here, like her earlier works, Lowrider-Bellydance (2004) and The Tezcan Family (2001), which deal with cultural appropriation, she underlines the influences of natural and socio-political environments on the physical world. This screening will be followed by a Q&A with the artist lead by ICA Associate Curator of Artists’ Film and Moving Image, Steven Cairns.

Suitable for

Admission

£5.00 / Members free. (£1.00 charge for all tickets)

Website

http://www.ica.org.uk/whats-on/artists-film-club-nevin-aladag

Art Fund Curatorial Seminar at fig-2: In Pursuit of the Curatorial: On Responsibility

  • 19 February 2015 7-8:30pm

As part of the collaboration between fig-2 and the Art Fund, fig-2 will be hosting 8 public seminars conceptualised by Art Fund Curator Fatos Ustek.

Each seminar will concentrate on a particular theme with assigned reading announced in advance on the website, and will be led by Fatos Ustek.

The second of eight part seminar series with the title On Responsibility will concentrate on Roland Barthes' seminal text To the Seminar, investigating the contents and discontents of the current cultural production of art institutions and their modes of audience engagement.

Suitable for

Admission

£5.00 / Members free.

Website

http://www.ica.org.uk/whats-on/art-fund-curatorial-seminar-fig-2-pursuit-curatorial-responsibility

Culture Now: Marjetica Potrc

  • 20 February 2015 1-2:30pm

Ljubljana and Berlin-based artist and architect Marjetica Potr? discusses her practice ahead of the opening of a new public artwork made in collaboration with Ooze Architects (Eva Pfannes and Sylvain Hartenberg), Of Soil and Water: The King's Cross Pond Club. A natural swimming pond on the Kings Cross site, its central pool is surrounded by both hard and soft landscaping, including pioneer plants, wild flowers grasses, and bushes so that the environment evolves as the seasons change.

Marjetica Potr?’s artworks have been exhibited extensively throughout Europe and the Americas, including at the Venice Biennial (1993, 2003, 2009) and the São Paulo Biennial (1996, 2006), and are shown regularly at the Galerie Nordenhake in Berlin. Her many community-based on-site projects include Dry Toilet (Caracas, 2003), The Cook, the Farmer, His Wife and Their Neighbour (Stedelijk Goes West, Amsterdam, 2009), The Commons Project (Yes Naturally, the Gemeentemuseum Den Haag, The Netherlands, 2013) and The Wind Lift (Folkestone Triennial,2014).

Suitable for

Admission

£5.00 / Members free. (£1.00 charge for all tickets)

Website

http://www.ica.org.uk/whats-on/culture-now-marjetica-potrc

Gallery Tour with View Festival: Dor Guez

  • 27 February 2015 5-6:30pm

A special tour of the first UK institutional solo exhibition of artist Dor Guez. As an artist of Christian Palestinian and Jewish Tunisian descent, living in Jaffa, Dor Guez is considered a leading and critical voice from the Middle East whose practice questions contemporary art’s role in narrating unwritten histories.

With the creation of the first festival of art history in the UK, inspired by the ground-breaking Festival de l’Histoire de l’Art in Fontainebleau, View and the Institut français set out to offer an inclusive, accessible and ambitious approach towards the discussion and study of art history.

Please email viewguidedtours@outlook.com to book your place.

Suitable for

Website

http://www.ica.org.uk/whats-on/gallery-tour-view-festival-dor-guez

Culture Now: Franco Bifo Berardi

  • 27 February 2015 1-2pm

Theorist and media activist Franco ‘Bifo’ Berardi discusses his new work Heroes: Mass Murder and Suicide (Verso, 2015). Examining the relationship between capitalism and mental health, this book journeys through philosophy, psychoanalysis and current events, searching for the social roots of the mental malaise of our age.

Franco ‘Bifo’ Berardi was founder of the famous Radio Alice in 1976 and one of the most prominent members of Autonomia. His recent books in English include: The Uprising: On Poetry and Finance (2012)
After the Future (2011)
and The Soul at Work: From Alienation to Autonomy (2009).

Suitable for

Admission

£8.00 to £10.00

Website

http://www.ica.org.uk/whats-on/culture-now-franco-bifo-berardi

Adrian Henri: Performance, Environments and Happenings

  • 28 February 2015 2-3:30pm

On the occasion of ICA Fox Reading Room exhibition First Happenings: Adrian Henri in the ‘60s and '70s, this panel explores Adrian Henri's work in poetry, music and art. Envisaging his embrace of Total Art as a template for interdisciplinary art practice, panellist re-evaluate Henri's work and his broader significance beyond the labels of ‘Liverpool Poet’ and ‘Pop painter’.

Chaired by Bryan Biggs (Artistic Director, Bluecoat Liverpool), speakers include Mike Evans (musician, poet, ex-Liverpool Scene), Oliver Gilbert (Tate Research Fellow), First Happenings curator Catherine Marcangeli (Paris-based art historian), Barry Miles (writer), Heike Roms (Professor in Performance Studies at Aberystwyth University).

Suitable for

Admission

£7.00 to £10.00

Website

http://www.ica.org.uk/whats-on/adrian-henri-performance-environments-and-happenings

Culture Now: Ulay

  • 6 March 2015 1-2:30pm

A pioneer of Polaroid photography and one of the central figures of European performance art since the 1970s, Ulay (Uwe Frank Lausiepen) discusses his practice, spanning more than four decades.

This talk marks the publication of Whispers: Ulay on Ulay (Valiz, 2014).  Compiled by Maria Rus Bojan (who has published extensively on Ulay), this new book reveals an innovative oeuvre, coherently rooted in a personal life philosophy guided by strong ethical principles.

Suitable for

Admission

£5.00 / Members free. (£1.00 charge for all tickets)

Website

http://www.ica.org.uk/whats-on/culture-now-ulay

Looking Gift Horse in the Mouth: A Symposium on Hans Haacke

  • 7 March 2015 11:30am-1pm

In March 2015 Hans Haacke’s Gift Horse (2013) will be installed on the Fourth Plinth in Trafalgar Square. Gift Horse constitutes a searching reflection on the politics of its site and continues Haacke’s critical engagement with British culture which he began with A Breed Apart (1978), an investigation into British Leyland’s links with the apartheid regime in South Africa.

This symposium, co-organised by Jon Bird from the Middlesex University and Luke Skrebowski from the University of Cambridge, includes a conversation with Hans Haacke and presentations by international speakers on various aspects of the artist's work and art in the public domain.

Suitable for

Admission

£5.00 to £12.00

Website

http://www.ica.org.uk/whats-on/looking-gift-horse-mouth-symposium-hans-haacke

Symposium: Interior Design: Dead or Alive

  • 14 March 2015 11:15am-1:15pm

Professor Ben Kelly, Chair of Interior and Spatial Design at University of the Arts London, hosts Interior Design: Dead or Alive.

This symposium will take stock of the ability of iconic interiors to affect and influence the direction of popular culture and the wider world. A range of speakers with the widest variety of perspectives and disciplines explore the cultural significance of the subject and practice of interior design in relation to the contexts of art, design, business, media and culture.

Suitable for

Admission

£5.00 to £12.00

Website

http://www.ica.org.uk/whats-on/symposium-interior-design-dead-or-alive

The Copyists

  • 20 March 2015 12-1:30pm

Recent acts of re-publication are the starting point for this symposium, which brings together artists, writers, curators and publishers for a wide-ranging discussion of subjects such as photography, re-enactment and the literary figure of the Copyist.

Contributions will also address the use of the book form and consider publication as a radical gesture in historical and contemporary art.
Featuring Michael Bracewell, David Campany, Sarah Dobai, Tom McCarthy and Jo Melvin.

This event has been programmed by Sarah Dobai and Karen Di Franco in association with CHELSEA Space and Camberwell, Chelsea and Wimbledon (CCW) Graduate School, University of the Arts London.

Suitable for

Admission

£5.00 to £10.00

Website

http://www.ica.org.uk/whats-on/copyists

Artists' Film Club: Mathieu K Abonnenc

  • 25 March 2015 6:45-8pm

Mathieu K. Abonnenc devotes his work to the forgotten or marginalized areas of recent history, figures and events associated with the 20th century’s struggles for emancipation of identity.

On the basis of investigations and documents, he attempts to deconstruct the nature of representations of the geographical ‘Other’ in particular.

This event is followed by a Q&A with the artist.

Suitable for

Admission

£5.00 / Members free. (£1.00 charge for all tickets)

Website

http://www.ica.org.uk/whats-on/artists-film-club-mathieu-k-abonnenc

Gallery Tour: Astrid Schmetterling

  • 26 March 2015 6:30-8pm

Join Astrid Schmetterling on a gallery tour of The Sick Man of Europe exhibition by Dor Guez.

Astrid Schmetterling is Senior Lecturer in Visual Cultures at Goldsmiths, University of London. Her research focuses on the relation between history, culture and memory and is informed by the insights of postcolonial and transcultural studies. Her most recent publication is a co-authored book with Lynn Turner, Visual Cultures As Recollection (Sternberg Press, 2013).

Suitable for

Website

http://www.ica.org.uk/whats-on/gallery-tour-astrid-schmetterling

advertisement