Lighthouse

28 Kensington Street
Brighton & Hove
East Sussex
BN1 4AJ
England

Website

www.lighthouse.org.uk

E-mail

info@lighthouse.org.uk

Telephone

01273 647197

All information is drawn or provided by the venues themselves and every effort is made to ensure it is correct. Please remember to double check opening hours with the venue concerned before making a special visit.

Lighthouse is a digital culture agency based in Brighton. We support, commission and exhibit work by artists and filmmakers.

Lighthouse creates vibrant, inspirational programmes that show how important artists and filmmakers are in a changing media landscape.

We work with digital art and moving image, which we present in our own venue in Brighton and beyond, nationally and internationally. By supporting artists and filmmakers, through commissioning, exhibition and professional development, we provide a platform for digital artists and creators to demonstrate that digital culture is about more than technology and tools; it is about ideas, emotion, learning, and aesthetics.

Lighthouse also runs the UK’s leading mentoring programme for filmmakers – Guiding Lights – which supports rising film talent by connecting them with some of the industry’s greatest names, including Sam Mendes, Alex Garland, Nick Hornby and Barbara Broccoli.

Lighthouse is a vibrant venue for events in Brighton. As well as hosting our own events, we provide spaces for commercial hire.

Venue Type:

Gallery

Opening hours

gallery opening hours dependent on events and exhibitions. Please see website for more details.

Admission charges

Free

Exhibition details are listed below, you may need to scroll down to see them all.

The Air Itself is One Vast Library

4 May — 1 June 2013 *on now

Renown contemporary artist, Mariele Neudecker, reflects on the use of military technologies in contemporary warfare in this exhibition curated by Lighthouse for HOUSE and Brighton Festival 2013

'The Air Itself is One Vast Library' by Mariele Neudecker, is an exhibition of startling images that explore the disturbing, and often invisible, technologies of war. In dramatic contrast with her more familiar depictions of landscape and the sublimity of nature, this highly topical study brings us face to face with weapons of mass
destruction.

Suitable for

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