Chelsea College of Arts, 16 John Islip Street
Greater London




020 7514 6983

All information is drawn from or provided by the venues themselves and every effort is made to ensure it is correct. Please remember to double check opening hours with the venue concerned before making a special visit.
A view of CHELSEA space from the outside

CHELSEA space is a public exhibiting space where invited art and design professionals are encouraged to work on experimental curatorial projects that may not otherwise be realised.

The emphasis is on curatorial experimentation, the exposure of process and ideas, and re-readings of artworks and archives and their re-presentation for contemporary audiences. CHELSEA space is a platform for discussion and questions rather than definitive answers.

CHELSEA space is sited on the Millbank campus of Chelsea College of Arts, next to Tate Britain, and provides extra-curricular interest for the school and open access to the widest possible audiences.

Venue Type:


Opening hours

Wednesday - Friday, 11am - 5pm

Admission charges


Exhibition details are listed below, you may need to scroll down to see them all.
Design for Tableware

A Good Design? Objects from the I.L.E.A./ Camberwell Collection

  • 10 September — 31 October 2014 *on now

This exhibition traces the development of the Experiment in Design Appreciation, a scheme jointly conceived and implemented by the Council of Industrial Design and London education authorities.

The project’s central idea, born in the wake of the Festival of Britain, was to cultivate a preference for ‘good design’ in the ‘consumer of tomorrow’. A series of exhibits, comprising of examples of ‘good design’ were circulated in secondary London schools between 1951 and 1977. When the Inner London Education Authority (I.L.E.A.) was disbanded in 1990, the estimated 20,000 collected objects were donated to Camberwell College of Arts.

The exhibition locates ‘good design’ as a mid-twentieth century concern and examines how the Experiment in Design Appreciation reflected ideological alignment to modernism in design. While teaching schoolchildren to follow aesthetic canons may no longer be an educational objective, the I.L.E.A./Camberwell Collection remains an extraordinary resource and its role is being re-appraised in 21st century contexts.

The display will include archival material and objects representing British and International industrial design, graphics, folk art and studio ceramics from the 1950s to the 1970s.

Suitable for

  • Any age


Exhibition at Chelsea Space

Bill Jubobe: Bob Cobbing

  • 19 November — 19 December 2014

Concrete poet, arts organiser, publisher and printmaker Bob Cobbing (1920-2002) is best known for his performed works in which language is anarchically stretched and dismantled through the deployment of shouts, groans and hisses, interspersed between more recognisable tracts of spoken word. He made innumerable publications and prints, visual scores that blur the distinction between decipherable text and abstract imagery. Bill Jubobe, an excerpt from a line written by Cobbing's friend and collaborator François Dufrene ("Bob jubile et, bien sur, à la langue, Bill jubobe"), highlights the interrelation between Cobbing's live performance and his experiments on paper.

A live programme of film, music and reading will accompany the exhibition, as well as a contribution by artist Benedict Drew.

Bill Jubobe is curated by William Cobbing and Rosie Cooper, and is part of Bob Jubilé: a year-long series of events and displays that explore and present the legacy of Bob Cobbing, culminating in a publication with Occasional Papers.

Bob Jubilé is supported by the Arts Council, Elephant Trust, Henry Moore Foundation and the Exhibition Research Centre, Liverpool.

Suitable for

  • Any age