A view of CHELSEA space from the outside

CHELSEA space is a public exhibiting space where invited art and design professionals are encouraged to work on experimental curatorial projects that may not otherwise be realised.

The emphasis is on curatorial experimentation, the exposure of process and ideas, and re-readings of artworks and archives and their re-presentation for contemporary audiences. CHELSEA space is a platform for discussion and questions rather than definitive answers.

CHELSEA space is sited on the Millbank campus of Chelsea College of Arts, next to Tate Britain, and provides extra-curricular interest for the school and open access to the widest possible audiences.

Venue Type:


Opening hours

Wednesday - Friday, 11am - 5pm

Admission charges


Exhibition details are listed below, you may need to scroll down to see them all.
Photograph by Sheila Rock of Jordan standing in the doorway of the shop Sex in 1977

Sheila Rock: From Punk to the English Sea

  • 28 September — 28 October 2016 *on now

CHELSEA space is very happy to present the exhibition Sheila Rock: From Punk to the English Sea as its first exhibition in the autumn 2016 programme.

Many of the exhibitions celebrating the 40th anniversary of punk rock in 2016 have displayed a tendency towards depicting this movement as a largely testosterone fueled tribal youth culture. Reflective and knowledgeable of this subject, Sheila Rock’s photographs instead insist on a more sophisticated reading of her subjects, allowing and revealing a far more nuanced collection of portraits. By exploring her subjects outside of these established contexts, Rock has photographed some of the more gently subversive aspects of punk (sub) culture, through attire, environment and attitude.

Central to installation at CHELSEA space are a series of new portraits of the female punk icon, Jordan, commissioned especially for this exhibition. In the forty years since Sheila Rock first photographed Jordan both have developed and evolved; the new portraits are a powerful photographic statement of undiminished beauty and the empathy between photographer and subject.

Jordan is synonymous with Malcolm McLaren and Vivien Westwood’s shop SEX, however, her influence was far more wide reaching, as she inspired not only fashion, but was also the muse for artists including Derek Jarman. Her performance as Britannia in his 1977 feature film, Jubilee, and in the Super 8 films Jordan’s Dance (1977), Jordan’s Jubilee Mask, (1977), Every Woman For Herself and All for Art, (1978) and Jordan’s Wedding, (1981), illustrate her innate power and poise. Interviewed in the publication ‘England’s Dreaming’ by Jon Savage, Jordan states, ”I started ballet when I was about four and carried on until I was about eighteen. It gives you a sense of physical confidence when you’ve done a tight discipline like that. I liked to treat myself as a painting”.

Also accompanying the exhibition are a selection of recent photographic portraits from the series entitled Tough and Tender, that were made in seaside towns around England. Although initially interested in the aesthetics of seascapes when starting on this series, Rock’s dignified and stoic portraits reflect a quiet politics, documenting subjects and environments on the economic margins of the early 21st Century.

• Gallery opening times: Wed - Fri: 11:00 – 17:00 and by appointment.
• Private view: Tuesday 27 September 2016, 6-8.30pm

Suitable for

  • Any age




Monica Ross, Tape-slide work, artist standing in front of projection talking.

Monica Ross: A Critical Fine Art Practice

  • 16 November — 16 December 2016

British artist Monica Ross died in 2013 leaving an influential 40-year body of pioneering, socially-engaged, feminist and performative art practice that has profound significance for contemporary art and society.

The exhibition titled A Critical Fine Art Practice reflects on a diverse body of work across decades of production, and will include archival material and works from 1970-2013 comprising early feminist collaborative works, drawings made at Greenham Common in the 1980s, poster designs for the anti-nuclear movement, works relating to the writings of Walter Benjamin and documentation from the 60 performances of Anniversary-an act of memory, solo, collective and multi-lingual recitations from memory of the Universal Declaration of Human Rights (2008-13) which concluded with a final collaborative performance at the UN in Geneva on the day of Ross' death.

A monograph on the artist, published by Sternberg, will be launched at the exhibition.

Private view: Tuesday 15 November, 6-8.30pm
Exhibition continues: 16 November – 16 December 2016

IMAGE: Monica Ross, Like Gold in the Furnace, Tape-slide work, 1987-1988. Photo credit: Bernard G. Mills.

Suitable for

  • Any age


Chelsea College of Arts, 16 John Islip Street
Greater London




020 7514 6983

All information is drawn from or provided by the venues themselves and every effort is made to ensure it is correct. Please remember to double check opening hours with the venue concerned before making a special visit.