Jerwood Visual Arts

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Jerwood Visual Arts is a national programme supporting visual arts practice, through which Jerwood Charitable Foundation works with early career artists to commission and present new work. Artist opportunities run throughout the year alongside a programme of related exhibitions, events and commissioned writing taking place online, in London and across the UK.

Venue Type:


Opening hours

Monday - Friday 10am - 5pm
Saturday - Sunday 10am - 3pm

Closed Bank Holidays

The Gallery is open until 8pm on the last Friday of every month during exhibitions. Visit the South London Art Map website for further information

Admission charges

Admission free

Exhibition details are listed below, you may need to scroll down to see them all.
Rebecca Beinart, Imagined Geographies (2015). Photo Courtesy of Susan Guy & National Trust

Jerwood Open Forest

  • 2 November — 11 December 2016

This group exhibition brings together work by the five artists selected for the R&D stage of Jerwood Open Forest in 2016: Rebecca Beinart, Magz Hall, Keith Harrison, David Rickard and David Turley.

Rebecca Beinart’s projects are often collaborative and explore the crossover between art, ecology and politics, taking the form of live events and interventions in public places. For this exhibition she has made a live work using a collection of stories about lost trees, developed through research collected around specific forests. The audience experiences a series of one-to-one encounters, which draw upon connections between personal experiences of loss and wider themes such as deforestation and collective memory.

Magz Hall works with sound and radio. For this exhibition she has developed an interactive trail of radio transmissions through the forest, playfully enabling trees to whisper to each other, and re-engaging with a sense of technological enchantment intrinsic to the early radio experiments that make up much of her research interest. Members of the public will record their secrets and dreams onto simple radio hardware disguised within a tree.

Keith Harrison is fascinated by the potential for the direct physical transformation of clay from a raw state utilising industrial and domestic electrical systems in a series of time-based public experiments. For this exhibition he has created a multi-faceted, performative sculpture bringing together industrial forces within the context of the forest, inspired by his upbringing in the heavily post-industrialized Black Country. Keith constructed a series of mud jumps through the forest, working with BMXers; from the same mud he will build a prototype car to be launched from a monumental ramp as a public event.

David Rickard’s work Returnings is a vast forest installation built with timber collected from across the UK, which explores the cyclical journey of the forests’ trees. Each piece of ‘reclaimed’ wood is imprinted with details of its previous function and location, thereby recording a network of the past lives of timber elements within the depths of their original environment.

David Turley’s work centres on a ‘Men of the Trees Forestry Diary’ from 1947, unearthed at an auction in Australia, which documents the daily life of a man planting trees in Orlestone Forest outside Ashford, Kent. Turley has engaged with the social and cultural events described in the notebook’s pages, exploring the potential for site engagement through its specific historical narrative.

The five artists were selected from almost 500 diverse and ambitious proposals in response to an open call to UK-based artists within 15 years of beginning their practice. Artists were invited to submit bold, broad-thinking proposals that explored the potential of forests as a site for art. Each selected artist receives a £2,000 research and development fee to develop their commission proposals, test feasibility and explore potential sites within England’s Public Forest Estate. One artist is selected to receive a further commission of £30,000. All of the artists also participate in a programme of professional development activities as a peer group, including workshops and advisory sessions alongside one-to-one mentoring sessions, and present a group exhibition at Jerwood Space.

The selection was made by: Katherine Clarke, artist and founding partner of muf architecture/art; Neville Gabie, artist; Shonagh Manson, Director, Jerwood Charitable Foundation; Hayley Skipper, National Arts Development Programme Manager, Forestry Commission England; and Dr Joy Sleeman, writer, curator and lecturer. The initiative was launched in 2013 in response to an opportunity to open up the Public Forest Estate to artists in partnership with Forestry Commission England. It responds to a need to support artists, perhaps working in a forest context for the first time, with the professional skill set with which to realise a large scale work, and with access to experienced professionals throughout. Alumni include Semiconductor and Chris Watson.

Events details are listed below. You may need to scroll down or click on headers to see them all. For events that don't have a specific date see the 'Resources' tab above.
Image courtesy of Rebecca Beinart

Rebecca Beinart, David Turley and David Rickard in conversation with Tom Overton

  • 14 November 2016 6:30-8pm

Rebecca Beinart, David Turley and David Rickard discuss their shortlisted proposals for Jerwood Open Forest and their shared interests in history, memory and language, with writer and editor, Tom Overton.

This event is followed by a short performance devised by Rebecca Beinart based on her research into stories of lost trees. Playing with the idea of a ‘score’, several performers will work their way through a series of visual instructions and fragments of memory. It provides an opportunity for experimentation of ideas for her proposed large-scale performance for a forest, where an audience will navigate their way through a series of narratives, creating connections and meaning through their choice of route.

Former Jerwood Writer in Residence Tom Overton edited ‘Portraits’ (Verso, 2015) and ‘Landscapes’ (2016), two volumes of John Berger’s writing about art, and is currently writing his biography published by Allen Lane. Also for Allen Lane, he is writing ‘The Good Archivist’, on archives, migration and technology, while working on a Postdoctoral Fellowship on the archives of the Barbican and Guildhall School of Music and Drama (jobshare with Dr Matt Harle). His own writing is collected at


This event is free to attend. Booking is required via Eventbrite:

Keith Harrison, Joyride Longbridge video still

Magz Hall and Keith Harrison in conversation with Helen Pheby

  • 21 November 2016 6:30-8pm

Magz Hall and Keith Harrison discuss their shortlisted proposals for Jerwood Open and their shared interests in technology and industry with Helen Pheby, Senior Curator, Yorkshire Sculpture Park.

Helen Pheby recently curated/co-curated Fiona Banner: ‘WP WP WP’; Henry Moore: ‘Back to a Land’; and ‘Caro in Yorkshire’ at Yorkshire Sculpture Park. She initiated the ‘Art by Email’ platform, virtual residencies, for artists in countries such as Iraq, Iran and Syria; and heads up Visiting Artist and Graduate Award programmes. Her PhD and continued research considers the relationship between art and the public. Offsite projects include ‘A Place in Time’, NIROX Sculpture Park; ‘Unesco Cradle of Humankind’, South Africa; and ‘Kyiv Sculpture Project’, the first open-air display of contemporary sculpture in Ukraine. She is a Curatorial partner of ‘Art Role’, Kurdistan-Iraq, and is a member of the Arts Council of England Collection Acquisition Committee

Recent publications include ‘KAWS’ (2016); ‘Caro in Yorkshire’ (2015); ‘Henry Moore: Back to a Land’ (2015) and ‘Hester Reeve: Ymedaca’ (2015).


This event is free to attend. Booking is required via Eventbrite:

Jerwood Visual Arts
Jerwood Space
171 Union Street
Greater London




020 7654 0171

All information is drawn from or provided by the venues themselves and every effort is made to ensure it is correct. Please remember to double check opening hours with the venue concerned before making a special visit.