Jerwood Visual Arts

JVA logo
Food icon

Jerwood Visual Arts is a national programme supporting visual arts practice, through which Jerwood Charitable Foundation works with early career artists to commission and present new work. Artist opportunities run throughout the year alongside a programme of related exhibitions, events and commissioned writing taking place online, in London and across the UK.

Venue Type:


Opening hours

Monday - Friday 10am - 5pm
Saturday - Sunday 10am - 3pm

Closed Bank Holidays

The Gallery is open until 8pm on the last Friday of every month during exhibitions. Visit the South London Art Map website for further information

Admission charges

Admission free

Exhibition details are listed below, you may need to scroll down to see them all.
Marcin Rusak, Perishable Vase II Decaying, 2015. Image: courtesy of the artist

Jerwood Makers Open 2017

  • 28 June — 27 August 2017 *on now

Five new commissions by early-career applied artists Sam Bakewell, Marcin Rusak, Laura Youngson Coll, Juli Bolaños-Durman and Jessica Harrison brought about through the biennial Jerwood Makers Open. Each combines a high level of technical skill with imagination and intellectual adventure, constituting a fresh and exciting direction of each artist’s work.

Sam Bakewell has a history of working with clay, for this exhibition he uses wood for the first time. He will make a series of polychromed objects, carved with a chainsaw and chisel, which will form enlarged abstracts with details referencing historic carving. These will include water, fire, hair and animals, expanding on his interests in the philosophy and symbolism of the spiral as archetypal form.

Marcin Rusak’s work reflects on consumer culture, his work for this exhibition will be an installation made from perishable objects. The product designer will create several pieces using organic composites, such as waste flowers, shellac, beeswax and resin in different stages of decay. Playing with the processes of destruction, renewal and reconstruction, the work will stimulate questions about history and possible future scenarios.

Laura Youngson Coll’s work uses knowledge of sculpture, book-binding and leatherworking to create a fictitious yet scientific depiction of the natural world in her work. Her work for the exhibition is a series of pieces made from vellum, which is calf skin parchment, examining the cellular morphology of lymphoma, personally significant after the illness and subsequent death of her partner. This microscopic perspective, familiar in her practice, reflects the idea of assimilating events in a highly personal way and will examine the reconciliation of scientific explanation with personal experience of illness.

Juli Bolaños-Durman’s work for the exhibition will explore the journey of transformation which takes place as she converts ordinary objects into objets d’art. She will make a colourful large-scale glass installation made of many intricately cut sculptures, using found and blown glass and create an intimate atmosphere between the creature-like figurines which come to life with dramatic lighting.

Jessica Harrison’s work for the exhibition will be a new body of sculptural objects in porcelain and bone china that explores the notion of the collection, as an aspiration, a physical grouping and a framework that structures the viewer and their movements and sensory experiences.

The five artists were selected from over 271 applications in response to an open call for self-directed projects from UK-based makers within 10 years of establishing their practice. Each artist received a bursary of £7,500 to support experimentation and the making of new work for this exhibition.

Selectors: Deirdre Figueiredo MBE, Director, Craftspace; Skinder Hudal, CEO/Director, New Art Exchange; Geoffrey Mann, Programme Director, Glass at Edinburgh College of Art; Clare Twomey, artist and Sarah Williams, Head of Programme, Jerwood Visual Arts.

Jerwood Makers Open was established in 2010 to promote the significance of making and materials within the visual arts arena, seeking to support exceptional skill and imagination.

Since 2010, Jerwood Charitable Foundation has awarded commissioning funds totalling £217,500 directly to artists through this project. It has supported 24 major new commissions, offering a rare opportunity for artists to freely develop creative ideas central to their individual practices. It looks broadly at how contemporary artists are defining or challenging the boundaries of what has traditionally been described as applied arts. Alumni include: Keith Harrison, James Rigler, Matthew Raw, Nao Matsunaga and Will Shannon.

Suitable for

  • Any age


Lucinda Burgess, artwork 'Borderlines'

Jerwood Drawing Prize 2017

  • 13 September — 23 October 2017

The largest and longest-running annual open exhibition for drawing in the UK, presented in collaboration with Bath Spa University. In 2017 works have been selected for inclusion by Dr David Dibosa, writer, researcher and Reader in Museology at the University of the Arts London, Helen Legg, Director of Spike Island and Michael Simpson, artist.

Selected from original drawings, the Jerwood Drawing Prize has established a reputation for its commitment to championing excellence, and to promoting and celebrating the breadth of contemporary drawing practice. The exhibition provides a platform to showcase the work of UK-based drawing practitioners, from student to established, and as a project helps to define a wider understanding of the role and value of drawing in creative practice.

Exhibiting artists: David Ainley, Elisa Alaluusua, Pam Aldridge, Becky Allen, Kate Aspinall, Adam Bainbridge, Andy Bannister, Helen Barff, Dail Behennah, Kelly Best, Kate Black, Alice Blackstock, Abigail Booth, Becky Brewis, Lucinda Burgess, Eric Butcher, Stephen Carter, Ian Chamberlain, Lewis Chamberlain, Dean Claydon, Susannah Douglas, Dickon Drury, Richard Ducker, Jim Dunkley, James Fowkes, Nigel Frost, Christopher Fry, Lesley Hicks, Jim Hobbs, Marianne Holm Hansen, Caroline Holt-Wilson, Susie Howarth, Ronnie Hughes, Jeremy Hutchison, Julia Hutton, Jonathan Huxley, Alexander Johnson, Ben Johnson, Will Kippax, Jason Lane, Gary Lawrence, Carali McCall, Grace McMurray, Tahira Mandarino, Ana Mendes, Jasone Miranda-Bilbao, Jade Montserrat, Dejan Mrdja, David Murphy, Susan Petticrew, Helen Rawlinson, Giulia Ricci, Fiona G Roberts, Caragh Savage, Carly Seller, Tom Sewell, Laurie Steen, Rebecca Swindell, David Symonds, Sally Taylor, Ben Wade, Barbara Walker, Eleanor Wood, Sally Wood, and Andrea V Wright.

The First Prize of £8,000, Second Prize of £5,000 and two Student Awards of £2,000 each, will be announced and awarded at the preview on 12 September 2017. A new prize – The Evelyn Williams Drawing Award, worth £10,000 – will also be awarded to an artist selected for the 2017 exhibition. The Award will support an individual artist with a significant track record to develop and realise a body of drawings for a new solo exhibition.

Following 17 significant and successful years of support, Jerwood Charitable Foundation and Bath Spa University have announced that 2017 will be Jerwood Charitable Foundation’s final year as the key partner and funder for the Jerwood Drawing Prize. The exhibition project will continue to be led and developed by Professor Anita Taylor at Bath Spa University. The visual arts in the UK has benefited enormously from the prestige of the Jerwood Drawing Prize, which has championed the careers of many emerging and established artists and this legacy will continue as the project moves forward into a new phase with new supporters.

Suitable for

  • Any age


Events details are listed below. You may need to scroll down or click on headers to see them all. For events that don't have a specific date see the 'Resources' tab above.
Ryan Moule, 2017

Project Space: Ryan L. Moule, Vessels and Vestiges

  • 22 May — 26 August 2017 *on now

Vessels and Vestiges is an exhibition of chemically unfixed photographic prints by Swansea-based artist, Ryan L. Moule.

Through the presentation of photographs in their unfixed state, Moule repositions the image away from its assumed signifier of certainty to one of uncertainty and fragility. Exposure of the light-sensitive paper is slowed down by their presentation under UV filtered box frames, which mimic the red-light environment of the photographic darkroom. This leaves them in a process of becoming, as the images continue to subtly transform over a prolonged period of time. Through the decision to not complete the traditional printing process, Moule aims to re-orientate focus away from the image as a form of representation, and onto its materiality.


Jerwood Visual Arts
Jerwood Space
171 Union Street
Greater London




020 7654 0171

All information is drawn from or provided by the venues themselves and every effort is made to ensure it is correct. Please remember to double check opening hours with the venue concerned before making a special visit.