Avenue Gallery

'Time Lines' exhibition by Barry Wenden at Avenue Gallery
Food icon Study area icon Wheelchair access icon

Avenue Gallery offers a diverse and contemporary programme of temporary exhibitions which reflects the range of activities and academic ambitions within the School of the Arts. As well as showcasing student work and staff research, Avenue Gallery hosts regular exhibitions by established artists which demonstrate the University's engagement with the wider cultural and academic community. The University also houses the Osborne Robinson Collection of historic posters.

Venue Type:

Gallery

Opening hours

Mon-Fri
10.00-16.00

Closed: Weekends, Bank Holidays and University vacations.

Admission charges

Free.

Additional info

Exhibitions at Avenue Gallery are open to the public during the specified hours, but access to the Osborne Robinson Poster Collection archive is by appointment only.

Exhibition details are listed below, you may need to scroll down to see them all.
In Defence of the Poor Image exhibition poster

In Defence of the Poor Image

  • 26 May — 1 June 2017 *on now

This exhibition, “In Defence of the Poor Image” marks the culmination of this year’s Print Fellowship, now in its third year. Artists Emily Birney, Dylan Fox, Rose Phillips and Alex Small have this year chosen a title borrowed from the influential text by notable artist, filmmaker and writer, Hito Steyerl. In the text, Steyerl surveys the value or economy of images and calls for a reappraisal of the poor image, the image subjected to circulation, appropriation, manipulation, reproduction and redistribution. Although many of the examples she offers in the text relate to cinema and film, one can identify how this might relate to the production and dissemination of images through print practice.

Steyerl defines the poor image as “a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, a thumbnail, an errant idea, an itinerant image distributed for free, squeezed through slow digital connections, compressed, reproduced, ripped, remixed, as well as copied and pasted into other channels of distribution.”

In their own way, each artist in this exhibition has responded to the image. Whether a hastily-taken family snapshot bearing the sign of time’s passing; or the appropriated digital image chosen for its capacity to be manipulated without recourse to copy rite laws. Despite the origins of ideas as being rooted in the image, the exhibited works by these four artists take their final form in sculpture, drawing and installation, where they find other means of extending the language and parameters of print beyond a preoccupation with "the poor image”.


Despite the origins of ideas as being rooted in the image, the exhibited works by these four artists take their final form in sculpture, drawing and installation, where they find other means of extending the language and parameters of print beyond a preoccupation with "the poor image”.

Painting, Drawing and the Digital: an Exhibition

Painting, Drawing and the Digital: Exhibition

  • 15 — 30 June 2017

This exhibitio includes work by Michael Evans, Stefan Gant, Margarita Gluzberg, Dan Hays, Claude Heath, Johanna Love, Alexander James Pollard, James Faure Walker and Mark Wright. It will support the dialogue of the forthcoming symposium 'Painting, Drawing and the Digital', which is taking place at the University of Northampton's Avenue Campus on 15th and 16th of June.

The symposium aims to explore painting and drawing in a ‘post-digital’ age. If by post-digital we mean the digital is no longer seen as new but is now firmly culturally embedded and could be seen as all pervasive. Traditionally, one view of both painting and drawing is to be seen as haptic arts. They can be viewed as one of the diminishing opportunities for the creation of a hand-made, unique object that is a record of human agency and a home for the personal, individual or even unique response within the world. Both painting and drawing engage with the digital but may also choose to attempt to step outside of the digital and critique it. Papers and presentations from practicing artists, arts organisations and those involved in the pedagogy of painting and drawing will explore the various positions that artists and educators may take in both painting and drawing in relation to the digital.

This may range from forms of mutual collaboration and the extension of these disciplines into a digitally/ technologically expanded field or as forms of resistance to the technological and a form of preservation of the individual or subjective.

The exhibition is open from 15-30 June 2017, weekdays only from 10am-4pm, and is free to enter; tickets for the symposium can be purchased here - http://shop.northampton.ac.uk/product-catalogue/faculty-of-art-science-and-technology/conferences-fields-trips-and-excursions/painting-drawing-and-the-digital-international-symposium-2017-university-of-northampton-15th-16th-june

Events details are listed below. You may need to scroll down or click on headers to see them all. For events that don't have a specific date see the 'Resources' tab above.
Painting, Drawing and the Digital: Symposium

Painting, Drawing and the Digital: Symposium

  • 15 — 16 June 2017 9:30am-4pm

The symposium aims to explore painting and drawing in a ‘post-digital’ age. If by post-digital we mean the digital is no longer seen as new but is now firmly culturally embedded and could be seen as all pervasive. Traditionally, one view of both painting and drawing is to be seen as haptic arts. They can be viewed as one of the diminishing opportunities for the creation of a hand-made, unique object that is a record of human agency and a home for the personal, individual or even unique response within the world. Both painting and drawing engage with the digital but may also choose to attempt to step outside of the digital and critique it. Papers and presentations from practicing artists, arts organisations and those involved in the pedagogy of painting and drawing will explore the various positions that artists and educators may take in both painting and drawing in relation to the digital.

This may range from forms of mutual collaboration and the extension of these disciplines into a digitally/ technologically expanded field or as forms of resistance to the technological and a form of preservation of the individual or subjective.

The symposium is supported by an exhibition which includes work by Michael Evans, Stefan Gant, Margarita Gluzberg, Dan Hays, Claude Heath, Johanna Love, Alexander James Pollard, James Faure Walker and Mike Wright. There will be a Private View of the exhibition on Thursday 15th June from 5-7pm to which all delegates are invited.

Admission

Two Days: £40 / One day: £20 / concessions: £15 per day / University of Northampton students: £10. To book tickets please follow the link below.

Website

http://shop.northampton.ac.uk/product-catalogue/faculty-of-art-science-and-technology/conferences-fields-trips-and-excursions/painting-drawing-and-the-digital-international-symposium-2017-university-of-northampton-15th-16th-june

Avenue Gallery
School of The Arts
The University of Northampton
St. George's Avenue
Northampton
Northamptonshire
NN2 6JD
England

Website

www.northampton.ac.uk/info/20036/school-of-the-arts

E-mail

gallery@northampton.ac.uk

Telephone

01604 893046

All information is drawn from or provided by the venues themselves and every effort is made to ensure it is correct. Please remember to double check opening hours with the venue concerned before making a special visit.
advertisement